The name of the new group: Hitchcock and Agatha Christie
http://www.hitch2christie.gather.com/
For nearly the last year I have been saying I was going to do this group, and now I have. If you like either one, or both you're invited to join. It's the reason I've reposted the article below; there is also an article on Agatha Christie
http://www.gather.com/viewArticle.jsp?articleId=281474977379777 Christie article:
Sir Alfred Hitchcock " Hitch" of film (Director) -- Movies and Television -- another California resident,

Born August 13, 1899
Died April 29, 1980
Hitch was both a British and American citizen
Fear/fantasy
Suspense
Thrillers

Awards
The Academy of Motion Picture Arts and Sciences awarded Hitch the Irving G. Thalberg Memorial Award in 1967. Hitch never received an Oscar, but was nominated as follows:
Best Director for "Psycho" in 1960
Best Director for "Rebecca" (1940), "Lifeboat" (1944), "Spellbound" (1945), and "Rear Window" (1954), and Producer (Best Film) for "Suspicion" (1941).
"Rebecca", which Hitchcock directed, won the 1940 "Best Picture Oscar.
Hitch is considered the Best Film Director of all time by The Screen Directory; side by side with Director Spike Lee -- who would be classified as belonging in an entirely different genre of Film, I would agree. Hitch was knighted in 1980.
Hitch's unique signature was to usually make a cameo appearance in his films.
Sixteen films directed by Hitchcock earned Oscar nominations, though only six of those films earned Hitchcock himself a nomination. The total number of Oscar nominations (including winners) earned by films he directed is fifty. Four of those films earned Best Picture nominations.
This year, four of Hitchcock's films were named among the ten best mystery films of all time in the AFI's 10 Top 10. They were
- "Vertigo" (number 1)
- "Rear Window" (number 3)
- "North by Northwest" (number 7), and
- "Dial 'M' For Murder" (number 9
Below is a delineation of Hitch's work:
(Source -- http://en.wikipedia.org/wiki/Alfred_Hitchcock)
Silent films As a Writer
In these early films, Hitchcock was usually credited with the role of title designer. Many are now lost. All works are in public domain.
1921 -
- The Call of Youth
- The Great Day
- Appearances
- The Mystery Road
- The Princess of New York
- Dangerous Lies
- The Bonnie Brier Bush
1922 -
- Three Live Ghosts
- Tell Your Children
- Love's Boomerang
- The Spanish Jade
- The Man from Home
1923 -
- Woman to Woman
- The White Shadow
1924 -
- The Prude's Fall
- The Passionate Adventure
1925 -
- The Blackguard
As a Director
1922 -
- No. 13
1923 -
- Always Tell Your Wife
1925 -
- The Pleasure Garden
1926 -
- The Mountain Eagle
1927 -
- The Lodger
- Downhill
- The Ring
1928 -
- Easy Virtue
- The Farmer's Wife
- Champagne
1929 -
- The Manxman
- Blackmail (silent version)
British films
1929 -
- Blackmail
1930 -
- Juno and the Paycock
- Murder!
- Elstree Calling
1931 -
- The Skin Game
- Mary
1932
- Rich and Strange
- Waltzes From Vienna
1934 -
- The Man Who Knew Too Much
1935 -
- The 39 Steps
1936 -
- Secret Agent
- Sabotage
1937 -
- Young and Innocent
1938 -
- The Lady Vanishes
1939 -
- Jamaica Inn
American/British films
1940 -
- Rebecca
- Foreign Correspondent
1941 -
- Mr. & Mrs. Smith
- Suspicion
1942 -
- Saboteur
1943 -
- Shadow of a Doubt
1944 -
- Lifeboat
- Aventure Malgache
- Bon Voyage
1945 -
- Spellbound
1946 -
- Notorious
1947 -
- The Parradine Case
1948 -
- Rope
1949
- Under Capricorn
1950 -
- Stage Fright
1951 -
- Strangers on a Train
1953 -
- I Confess
1954 -
- Dial M for Murder
- Rear Window
1955 -
- To Catch a Thief
- The Trouble With Harry
1956 -
- The Man Who Knew Too Much
- The Wrong Man
1958 -
- Vertigo
1959 -
- North by Northwest
1960 -
- Psycho
1963 -
- The Birds
1964 -
- Marnie
1966 -
- Torn Curtain
1969 -
- Topaz
1972 -
- Frenzy
1976 -
- Family Plot
Television episodes -- Alfred Hitchcock Presents:
- "Revenge" (1955)
- "Breakdown" (1955)
- "The Case of Mr. Pelham" (1955)
- "Back for Christmas" (1956)
- "Wet Saturday" (1956)
- "Mr. Blanchard's Secret" (1956)
- "One More Mile to Go" (1957)
Suspicion: "Four O'Clock" (1957)
- "The Perfect Crime" (1957)
- "Lamb to the Slaughter" (1958)
- "Dip in the Pool" (1958)
- "Poison" (1958)
- "Banquo's Chair" (1959)
- "Arthur" (1959)
- "The Crystal Trench" (1959)
Ford Startime: "Incident at a Corner" (1960)
- "Mrs. Bixby and the Colonel's Coat" (1960)
- "The Horseplayer" (1961)
- "Bang! You're Dead" (1961)
- "I Saw the Whole Thing" (1962)

______________________________________________________________
Note: some of Hitch's work has been lost.


Comments: 16
;o)
Hitchcock, and Agatha's abilities is in this way is something I strive to acheive in my own writing. The thrills and chills without the gore.
It was about a ship at sea and the crew talking to someone/something in a small bost that they couldnt see.
It was always what you couldnt see or hear or touch that he used to scare you.
Your imagination!
Great article!
Plus, there were REAL plots, plots of substance to his films. When they started teaching Film and the Critical Eye in English departments, distinctions were made between actual art (film) and so much of the commercial stuff out there, the commercial stuff being the overwhelming majority of what is being shown at movies theatres. I vaguely recall so much being mentioned about his filming techniques. The man was a master and genius in this industry.
Don't they, though?
Last night, TCM (Turner Classic Movies) had two they aired:
"Shadow of a Doubt" and
"The Trouble With Harry"
I didn't get the opportunity to watch them; I already have them on video, though.
Why is it that there are no Hitchcocks directing today?
I cannot think of one single director with his genius for suspense, macabre, twists and turns, thriller, etc. These days it's sex and violence, period. The end.
I once dated this guy, and he taught me a lot about today's films -- sort of annoyed me.
Whatever the film, he could tell you the plot and the ending. He amazed me. I asked him, "How do you do it?" He said they were all predictable. He wasn't being flippant or anything like that; he actually enjoyed the films, but he just knew what was going to happen, and what the ending was going to be.
I now wish I had turned him onto Christie and Hitchcock. I do so wonder if he would have been able to figure out those plots. I'll never know.
The video games aren't much good in my opinion, although they seem to be fun.
Still, I'm of the school that says if the child wants to have fun, allow them to be a child and have fun. It's a shame that so many parents aren't more into their children's education, and creative development. This country is paying for it, too.
I feel you, Linda.
It really does make a difference. Shocked me when he was able to immediately tell me Newton's Laws of Gravity, and then explain them; age 8. I forget at what age I learned about Newton, but even then it was that an apple dropped on his head; that's it. Period. The end.