For David Foster Wallace (1962-2008) who schooled us all.
I was staying in Claremont, California, less than a mile from where he taught at my old alma mater, Pomona College, considered one of the best small liberal arts colleges in the United States. I´d met him in the spring, and was going to see him again to find out if he was interested in the proposal my friend MarkKlopp had written him about an article on Death By Chocolate, Pomona´s annual chocolatier bash, for Mark´s website THE C SPOT. But at the last minute I decided not to visit him the day before I left on Thursday to fly back to Spain, after seven frustrating weeks of unsuccessful job search as a credentialed public school teacher. The next morning, I was flying above the Atlantic, and David Wallace had hung himself to death in his home. He was 46, and considered one of America´s best new literary writers, with huge sweeping postmodern novels such as THE BROOM OF THE SYSTEM and THE INFINITE JEST TO HIS CREDIT, as well as a much lauded book of cultural essays, CONSIDER THE LOBSTER. I barely knew David, but I felt grief nevertheless, for I had enjoyed his books greatly and his sudden leavetaking coincided with my own depression in having to return to Europe empty handed.
Tile, water's promise, bulb light on plastic curtains
then the antiquated nozzle releases its uneven spray
and I step into water, never the same twice,
to slow my California rental plates behind closed lids,
guiding the sedan toward the Pomona College gates,
stopping just before their gravestone colored walls
inscribed with a warning to conjure the ideal learner.
Let only the eager, thoughtful and reverent enter here.
Almost thirty years ago, on graduation day,
I marched in my class through their eternalised pillars,
where we shouted in unison the other sides' curse,
complying with our consecrated alumni custom:
They only are loyal to this college who, departing,
bear their riches in trust for mankind.
I shampoo my hair listlessly in mindless reverie
and drive down last week's Claremont streets
drifting again into summertime's finale
when I spy students peeling off of lush campus lawns
into the town's bright humming cool backdrop
of hyper quaint village shops on Yale Avenue
and hear dogs bark near freshly swept streetcorners
where their owners chat of the election
and the slow rising of the moon as it harvests
all the lost fallen souls orthogonally.
My fingers clutch at my wet scalp,
tease wordless sparks inside skull's limits.
I see myself driving by the building where he taught
and halfheartedly considering a snap visit to see him
and check up if he'd read the pitch for a chocolate web piece
I'd placed in his mailbox last spring to help an old college bud.
Instead I left the followup errand unfulfilled,
doomed on my not-done good deed pile,
and glided past Pearsons Hall toward the freeway
to cruise over a mortuary-topped hill with a clear vista
of downtown skyscrapers, and finally drop off
the rental car, end the failed hunt for work, waft
back through time's zones to Spain's bardo haunts
to finish off THE YEAR OF THE ABSOLUTE NADA.
Toweling off, I'm already on an oil slickened onramp
my eyes scraped open in cotton scramble
flushed suddenly in swirl of imploding sun--
a writer's incandescent mentalics
bursting free from us in finite figments
heading into heavy matter
blazing ten lanes into blackness.
I keep at it until I'm thoroughly dry
and shaking now,
alone in my Andalusian bath,
aglow in my vivid nakedness.
JFW Granada, Spain, September 21, 2008
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by
John F Walter
Member since:
February 15, 2006 Only The Lonely
September 25, 2008 08:12 PM EDT
(Updated: September 25, 2008 08:20 PM EDT)
views: 212
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comments: 36
Tags:
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david foster wallace,
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autumn,
death,
suicide,
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california,
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loss,
poem,
liberal arts,
college village,
meditation,
life,
ltbrgtpre-simulationism,
hyperreality
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Comments: 36
From Pomona to Granada past the past to the now and shivering
In a feast of poetic acrobatics
Leaving the Chinese contortionists literally in the dust
May your teacher rest in peace
Thank you, John
That, is the mark of genius.
Your lyrical poem of grief and "if only" brings it all back.
"and the slow rising of the moon as it harvests
all the lost fallen souls orthogonally."
Love how that leaked into this
SoCal elegy.
However, my friend, rest assured that you have amply kept faith with:
They only are loyal to this college who, departing, bear their riches in trust for mankind. This I do believe.
through this self-steadying navigation of consciousness entreaties.
The present tense cleansing that focuses intently on light and hope
to centralize from unsteady sources is still dizzied in reflective
reclamations from recent unnerving exposure. Ever movement is
hyper-realized as the shower becomes a flood of emotional
re-registrations of past connections for new calibrations in the
mind and heart. Decisions are weighed but the impact of the poem
comes more from the self-steadying inner movements
that question their effect and affect in the identity's necessary
registration of new direction. The flood of sensory and descriptive
impacts is impelling and I find myself indulging each as if they were
swelling and swirling within me.
I leap from now to then and try to unscramble the bits and organize
a stream of thought to progress forward with. What I am left with
is a heightened sense of just how eveything doesn't always mesh in
life, how multiply exposed we are in every moment to so many sources
of input and how delicate our balance truly is. But the strength that is
reclaimed in the poem comes, for me, from its amazing vulnerability and
inability to forget or hide from any exposures. There is enormous
courage within it to truly strip naked for closest contact while
mind's most open chambers free vivid memory and truth to a cascade
of a zillion drops of unexprressed, but deeply felt tears. The
shaking awakens a moment grasping an uncertain future's
cleansed recognition of a core strength that will somehow guide
the self to the netx steps.
This is gutsy fare and I feel its voice's history maturing
through time's unexpected and undirected manipulations,
through heart connections' spiritual exchanges and
through a core commitment to endure and truly bear forth
as many riches as a lifetime can invite. This poem is a feasting
of poetic stimulation that invites all of the reader's qualia
to stir and be readied for the next breaths of intent to
step forward into another day's challenges.
Untoward death brings us all to the brink of self-examination. Your talent as a
writer lays it bare. And I bow to you for that.
“I'm already on an oil slickened onramp
my eyes scraped open in cotton scramble
flushed suddenly in swirl of imploding sun--
a writer's incandescent mentalics
bursting free from us in finite figments
heading into heavy matter
blazing ten lanes into blackness”
The gist of it is a “screen refresh” of your existential force in a metaphorical statement of personal vision and purposes as a writer, a social visionary, and leader. It is a promising image of recovery, a recurring life pattern emergence out from your grief from a well of dark empathy, an application of lessons learned, and a powerful model of recovery.
Thank you my dear friend for your severe honesty and this pre-simulationist statement of immutable optimism.
It’s a brilliant “elevator speech,” for the metaphorically inclined.
Lead on, bro!
my eyes scraped open in cotton scramble
flushed suddenly in swirl of imploding sun--
a writer's incandescent mentalics
bursting free from us in finite figments
heading into heavy matter
blazing ten lanes into blackness.
Wow. Call this THE ABSOLUTE.
tease wordless sparks inside skull's limits."
Some powerful poetry, John. We all experience missed opportunities. Fortunately we also grasp some and it's good. Thank you for sharing this sensitive response to your heavy experience.
I think when we undergo any crisis or pain, a part of us shuts down, or goes on 'standby.' At such times, we observe ourselves observing the world . It is not a conscious thing, it comes very distinctly to us at a later moment.
Your feeling of regret at not having met David , when you could have, and the news later, are poignant. Your tribute to him and the connection of personal disappointment has given birth to a very special poem.
and drive down last week's Claremont streets
drifting again into summertime's finale
when I spy students peeling off of lush campus lawns
into the town's bright humming cool backdrop
of hyper quaint village shops on Yale Avenue
and hear dogs bark near freshly swept streetcorners
where their owners chat of the election
and the slow rising of the moon as it harvests
all the lost fallen souls orthogonally.
GREAT SENTENCE (just one of many) and an amazingly detailed poem from start to finish that washes straight to the heart. this is not some obscure emotional footnote to a life or to your so-called "failed" mission back in the states, but a sonic boom of a poem that changes everything in its wake because it is so richly lathered with the detailed narrative, so much copied and ascribed to the single simple act of bathing. nothing is simple, is it? not when the human mind is involved, colored with shame and self-consciousness, colored with loyalty and human failing. it's mind upon mind upon mind, isn't it? the layers of the onion peeled back and 'round, and in the most vulnerable moments, when there's no skin at all, we stand naked in raw air, "aglow", the fragilty of the body symbolic for the fragility of life.
in the words of lou reed, which have been resonating in my head for about over week now, "there's a bit of magic in everything, and then some loss to even things out." and then, john, and then? i'll await your future elucidations, and i have a feeling that the questions and answers will be e n d l e s s . . . xoxoxox
Through the process of the ritual of the water a story unfolds like a travelogue of a trip consisting of re-visiting the past in the present, buildings and streets evoking a younger self.
There is a search in this poem. What is sought doesn't crystalize. It's depressing. And the death of an aquaintance who you didn't see takes the writing into depths of emotion that are difficult - loss, regret, wishing that somehow one could have made a difference.
You have come back to Andalusia the same, but changed, stepping from the flux of Southern California into that of Spain, each carrying potency of meaning, memory, hope, possibility, future.
The Miltonic flow of the language I both like and react to, as you would well know. It's antiquated on the one hand, and yet brings a sense of nostalgia with it since you may have been studying Milton during the time you are revisiting in the past.
What I most like is the element of healing water through the Heraclitian lense, the multiple interflowing of time through memory, movement, present location, the sense of repeating a trail but differently walking the same hallowed halls as a younger self.
The 'shake up' of life itself, how it doesn't always follow our ideas or hopes is of course beautiful to me.
That the centre is an unfortunate and tragic death makes it a very stark and powerful piece, John.
Kudos, my dear.
by your writely paid tribute in honoring all the
respective being in the life's making to tick
fruitfully in verse 'n' rythm !!!
step commenting regards on my released write Autamn !!!
This poem is a huge collage of those painful moments.
missed you.
"doomed on my not-done good deed pile"
a profoundly human response to such losses and I concur
with Bhawana (above me here) when she refers to this
as "a huge collage of those painful moments."
I feel for you.
Benita