AS A WRITER, WHERE AND HOW ARE YOU DROPPING YOUR PEBBLES? Wombats CCXI

I’m a reflective person by nature. I think about many things in life. Look for lessons and ways to make things better for me and mine. To me, life is like a giant puzzle made of pebbles. Sometimes it’s comprised of hard labor.  Other times, the fun is in seeing how to work all the pieces tossed at us, and make a picture of it. Don’t like those particular pieces? Rearrange them. I’m also an optimist but with my feet firmly planted in reality. I know if I work at it hard enough, think it through, I’ll find a way. And so it is with my writing.

To be a writer is rather solitary.  We pour our hearts and souls into our writing--our characters, our created world.  They're part of us, aren't they?  When someone rejects that, of course we feel it AND feel they're rejecting us. On one level that's true, but we have to learn to compartmentalize, or we're dead in the water.  We have to have tough Rhino skin or we're not going to survive. And yah, it sucks.

As with most of the entertainment/arts groups, publishing is a tough playing field to break into. A key element to be a success in any field is to be focused, working at perfecting your skills, and believing in yourself and your abilities.

I think about authors like Nora Roberts, Jayne Ann Krentz, and Catherine Coulter. They all started out with Harlequin and or Silhouette. Many curled their lips at books from Harlequin. Whether it’s a lightweight romance publisher, or POD and E-book publishers—who cares where you start, so long as you start? I believe these authors honed their story telling skills and learned what readers like and didn't like, and built a readership base in these forums. And who are we to curl our lips, or diminish the worth of an author that makes those choices? Now, these authors are now regularly on the Best Sellers lists.

Singers start out playing local, market themselves aggressively, and get their names out there. How? Singers play for anyone that lets them sing. Bars, lounges, you name it. Actors do the same with local theatre, and work their way up. They network like crazy.  Are you doing that as a writer?

Pebble in the pool effect. Think about American idol. These singers are looking for shortcuts and there isn’t anything wrong with that, but even the shortcuts come with fierce competition. As authors, we do contests too, so we can relate.

What’s important here is: if the pebble isn’t first dropped into a pool of water, no ripples happen. The pebble has to be dropped more than once. It’s the same with writing. Every time you write a story, you drop a pebble and every time you query, or enter a contest, you drop another one. Every blog, writer’s conference, and joining a writing group is another pebble.

Maybe only a few of us will make it big. The truth of the matter is; it’s not solely dependent upon talent. There are lots of talented people. Sometimes chance or fate or whatever you want to call it, steps in. But, if we’re not putting forth the effort, and getting our writing, our name out there, it can’t be offered.

There’s a quote I like and I’ll share it with you. "Opportunity dances with those already on the dance floor."

…or dropping the pebbles.

It’s something I think about frequently—what am I doing with my pebbles?

Stacking them in a pile with no work or thought given them?

Am I hoarding them in a drawer where no one can see them?

Am I allowing fear of success or failure, hold me back?

By putting our work out there, we’re on the dance floor or to continue the metaphor, dropping our pebbles.

As a writer, where and how are you dropping your pebbles?

Rough pebbles, cut and polished, and well arranged.  Are your pebbles used to the best effect?

© Sia McKye 2008 all rights reserved