So I was asked to talk a bit about getting published. I've been asked about this an awful lot so it seems as good a topic as any . . . after my usual disclaimers :)
Disclaimer the First-- I like to blog rather informally. I taught the same way. In my "proper writing" I use my proper diction & all that, but here online (or in casual conversation) I'm not a fan of fussiness.
Disclaimer the Second-- No one route is ever the solitary path. I believe this to be true about finding physical locations (which is handy as I get lost regularly) and life events. My chatter is just one version of things. It's all relative (which is why, frex, I like writing multiple POVs).
Now the talking part . . .
Wicked Lovely was originally a short story. It resulted from my love of folklore, egalitarian concepts, & pretty words. I'm a Faulkner devotee so I adore the idea of trying to capture the full sensory experience in text--and the impossibility of ever truly achieving such a thing. Still, where's the fun in trying if it's not difficult? So I wrote a short story.
I hadn't planned to try writing until I was 40, but under the strong suggestions of Spouse, children, & friends I'd agreed to allow myself three years to write PT & teach PT. I wrote the story that became the novel in the fall of 2004. I'd been writing for a year. I sent it out to children's venues & fantasy venues. Both suggested it was "well written but maybe for [the other venues]." It was too mature for children's markets, too lyrical/young/not original/too many POVs for adult magazines. I had a handful of rejections, a rewrite request, & shelved it. It was about 2500 words. It wasn't modern, but more fairy-tale-esque in setting.
I'd used up a year of my planned three years at that point. I'd sold a few poems & a couple short stories so far, but all told, I'd made under $300. I kept hearing I was writing "starts of novels" not short stories. So I figured I'd give it a go: I wrote a novel. It was a middle-grade novel with faeries, evil queens, & 5 3rd person narrative threads. I queried agents starting in July 2005. I had a few requests & a lot of rejections. Then I decided that while I was waiting I'd write another novel. I just didn't know what to write. I walked around with my camera & notebook for a while. I took notes, setting photos, & sketched a bit. (I'm not good at sketching or photos. It was just for my visualization.) It was the short story I kept thinking of, so in September I sat down & started writing . . . for 4 months I wrote pretty much every day.
It was a bit all consuming. I dreamt of my characters. I once thought I saw Seth walking down the street & actually started to pull over to ask why he was not at . . . umm, when I couldn't finish that sentence, I realized that I had clearly been too long at the desk that day.
Around December, I had a rejection from an agent (on the other novel) that included a request for my new novel. On January 6th, I sent it to her--along with mailing out queries to my other top choices. By mid-January I had a batch of requests, & the text was out with a number of my top choices. I had a couple rejections & a lot more hope. I had used up 2 of my 3 years though, & I had heard how long the process is, so I made plans to resume FT teaching in the fall when I moved back east.
Then in mid-February, I had a couple offers of representation. I picked one of my "dream agents" (an agent I'd added to the list b/c she seemed passionate & fierce which immediately made her outrank other agents with more experience but less passion). My new agent, Rachel Vater, then shocked me by starting to set up an auction with real live editors at the major publishing house. She told me we'd start sending the ms out in a couple weeks.
She called folks, & they were interested. The text went out. Verbal confirmations of intent to offer started coming in within days. One editor (Anne Hoppe at HarperCollins) called on a Saturday--less than 24 hrs after receiving the text. She had skipped her tea (?!) and (as I later learned) told people in house that she would "die if [she] didn't get this book." That monday, March 6, is when I heard that she was interested. The first offer from another publisher also came in that day. The next several days brought more calls saying offers were forthcoming. I panicked a bit b/c although these were great houses, Anne had skipped caffeine for my characters (plus, my daughter is enthralled by Terry Pratchett & Anne is his editor so Daughter had been gleeful that I might share OMG Terry Pratchett's Editor).
Friday--a week after Anne first received the book--she called Rachel with a pre-empt offer that was for both Harper US & Harper UK, a co-acquisition offer that required bi-nation calls during the London Book Fair . . . oh, and it was for three books
[A pre-empt means a nice enough offer that one does not talk to other publishers--it stopped the auction.]
Now, I had previously authorized my kids' cutting school that day b/c a friend of the family--the man who, along with my awesome spouse, had told me rather bluntly that I should get over my fear and write a novel--was visiting. It was right around 9am, and we were literally walking out the door for Disneyland when the call came.
Obviously, I said YESYESYES (after making Rachel repeat it a few times, send it in writing, & perhaps flopping back on to my bed so I didn't lose my balance). Then, I hung up & went to Disneyland . . . where I treated myself to a Nightmare Before Christmas hoodie. Ok, umm, and I might've also called my agent a couple to times to ask her to tell me if I was awake or had imagined the whole thing.
It was 6 months from starting the novel to my life totally changing. Each time I've thought it couldn't get more surreal I've been proven wrong. I have an awesome agent, amazing publishers (including a number of foreign houses), and even cooler? Real Live Readers who email & tell me they've liked hanging out with my words. I miss teaching a lot still (I couldn't do a proper job at being a writer, teacher, and mom, so I resigned teaching for now). But, I'm having good fun in my new career . . . and my kids are pleased that I'm doing this, so it's all feeling pretty cool right now.


Comments: 48
Congratulations for hanging in there and best wishes for your book.
Please, do share your thoughts on this book with me! I'd love to discuss with my Gather friends.
Best,
Kim K.
I share your sentiments. Melissa, let us know if you need extra proofreaders / editors. We promise not to breathe a word!
Diana,
Thanks for checking it out. This really is a burgeoning genre, as you probably know. Two other authors to check out, if your niece enjoys Wicked Lovely, would be Holly Black and Cassandra Clare, as well as Stephenie Meyer.
And thank you all for reading. Please, do pass on.
And Melissa will be checking in to answer questions, so check back.
http://www.gather.com/viewArticle.jsp?articleId=281474977032264
As a big fan of the Young Adult literature I love it when a book pulls me into a genre that I would have not normally read. When I received my copy of Wicked Lovely I was not prepared for the journey I was about to take. This story opened up a whole new world for me and I have to say that I always enjoy seeing that the aurhor is as "Lovely" as we hope she will be. This book is a GREAT read and I look forward to seeing what else you have in store for us!
Rukhsana A. has just sent you an article.
very interesting article. My friend is going through the same process after having written her first novel and now she is desperately searching for an agent. Any suggestions?
Your genre is not my typical but I have regularly been surprised when I read "across the board". I'll definitely give it a go.
And congrats again on your success!!
This article is keeping my spirits up. I'm the Kids Clerk at the Monroeville, PA Borders and every day while working in YA I tell myself that someday my books will be on the shelves. I'm currently working on a YA fantasy novel that is the first in a series that I am in love with. I also wrote a children's picture book, and last month I did the scariest thing I have ever had to do and sent it out to publishers after five months of writing, revising, leaving it alone, and revising again.
I'm trying to have the same will power as you and write every day. I've disciplined myself a lot this year and your article is really going to help me stay on track. I guess I better get to that writing since I start college in less than four months and I want to get as much writing in as I can between now and the end of August.
So thank you for this article. Congratulations on your success! I will definitely be reading your book.
Melissa, how 'bout this?
I'm back in the DC area now and reading all of your lovely remarks. Thank you for the kind words. If there are any questions I can answer, I'm happy to try to do so.
M.
Jazz, Monroeville? *happy smile* I went to SVC in Latrobe, PA. I've been out to the Monroeville Mall forever ago now, but it was one of our road trips . . . typically we went in to P-burgh to the Carnegie or, umm, social events, but we trekked out to th Monroeville Mall here or there.
PM was a good guide to "what's hot" too . . . although when I looked at it, no one was really selling what I was writing. There were a couple YA faery stories out there (Holly Black's TITHE and VALIANT; Charles de Lint's THE BLUE GIRL), but that was about it. Still, it helped me to see which agents might be a fit. It also helped me to see where my text would fit in the marketplace. That was useful when writing my query letter.
(Thanks for asking a question. I adore questions.)
Aislynn is a much different protagonist than some of the other mortal girls in the Young Adult / Faerie genre, for example, Stephenie Meyer's Twilight, etc. It's clear that many adults are reading these novels, but what about the young girls who are? Did you consciously create a tough sort of smart outsider as a model?
As a mother of a young girl, would love to hear your answer.
Thanks.
Yes, I did create Ash (and Don) as strong women on purpose--largely b/c I AM a mom and a believer in egalitarian progress. I didn't want them to be all BtVS physically ass-kicking though. Buffy was great, & a lot of the adult paranormal & UF books highlight that physical fighting aspect--which is fine. I wanted my characters to be a bit more of an "everywoman." We all have felt like an outside (men & women) at some point; we've all felt overwhelmed; and we've all felt like our choices were limited. I wanted to tap into that feeling & say, "You know what? Tough isn't just throwing punches or swinging swords." This isn't an action movie.
And, imho, it's not just about our daughters. My son will read this when he's older. He's going to get enough messages that girls are weak (as some YA presents them), overly sexualized or perfectly pure (as if there isn't a middle ground), or not realistic in their physical strength. That all has its place. All voices have a place, in my opinion. However, I wanted to write female & male characters wherein the strength is in spirit & conviction (Ash & Don choices), in self-assurance (Seth's willingness to support but not take over Ash's situation), & in making choices with real unpleasant consequences (Don, Ash, & Keenan).
Telling a story that was fun was my top goal, but a VERY close second was in drafting characters who were realistic & tough & courageous & flawed. I needed to do that b/c while writing is a great job, being a mom is my first & most important job.
(Fun question! Thanks for asking.)
Thank you for sharing what you went through to get publised. I have wanted to write for so long something a story, a novel-- ANYTHING!! and have been so scared by the process. Poor excuse but truly a road block in my mind. This has given me hope that maybe one day I'll get there too.
I read your first chapter online, (and I HATE reading books online) and was immediately hooked. I can't wait to get my husband and daughter to Borders so I can get your book! I'm telling my best friend to check it out too.
Congratulations on your success and I hope you continue to have more with your next installments.
I like fairy and folklore topics... so I definitely will check out your book...
For anything write to: qiu_est@yahoo.com
Cheers!
See I never finished school...sorry, but I am dyslexic and no one told me even though they had known since I was in 3rd grade. I just thought I was an idiot instead. But I kept writing and that's still what I do when i can, but i don't know how to submit things, and even spell check doesn't get all my errors, and my family has never been big on helping or they would have by now considering they have copies of my complete manuscript (for 4 years now) and i've been told that it's like a david lynch film, i took it as good cause i like his movies but that really didn't help me figure out how to correct errors that i don't see and know are there or get it published somewhere by someone, someday.
Books have been usless on the subject, i just can't wrap my mind around it for some reason. but when things are broken down for me with instuctions that i can easily understand i pick it up right quick and refer back to it whenever i need to.
So i guess what i'm asking, mostly because you were/are a teacher, if you could break down the submitting process for me with helpful examples that i could understand......it would really help.?????
Thanks if you do, if not i understand and don't worry about it.
Wishing you laughter
As for your yellow brick road, it was inspiring to see that someone out there has a story to share. I've been working on a novel for quite some time. I don't often have the time to finish it, between soccer, ex troubles, and housework. I just graduated, and coincidentally nearly ended up at SVC myself. However, ended up at Penn State Erie to get my degree in Secondary English Education and Creative Writing. =) It's nice to know that someday, when I have enough time and effort put in, then I can perchance achieve my goal of being a published YA writer too.
I really loved the way your characters were designed, as well. Just thought I should add that in there. When you make your characters, do you think them up as you go, or do you outline their personalities and appearances, tastes, etc. before you write your novels? I'm trying to figure out a process that would work out best for me, and so far, those are the two best options.
Best of luck with your next 2 novels, I look forward to reading them!
I used a basic business letter meets essay approach. I had my first paragraph establishing why I wrote to that agent (I am seeking representation on my YA urban fantasy, TITLE (68K), and ____[reason to query this particular agent]), followed by a paragraph establishing the plot. After that, I added where the text fit in the marketplace (show that I've researched my market) & a bit on any "odd traits" (multiple 3rd person narratives). Then I gave an "about me" paragraph (i.e. studied lit, taught lit). I closed with a "thank you" & note that I'd "gladly send the text in e-file or print copy" if they wanted to see it.
I enclosed a synopsis OR the first chapter if they allowed that (ALWAYS check their submission requirements). It's not a perfect process, but my general approach with publishing so far is to think of it like business conversations/interviews. Yes, the text is important to me personally, but that's true of all authors I expect. So, I try to go into discussions (even now with sales, or marketing, or subrights, et al) with a business mindset.
Of course, as with everything--this is just one answer :)
RE: Zoe on kids & Spouse
It really is pretty amazing to have their support--and essential. I'd never have done this w/o them. They believed in me all along: I'm the one who struggled(struggles) with doubts. They never falter in their faith. It's a humbling thing.
I've been working on my own a lot more lately, and there are naturally some kinks, but I'm optimistic about the whole situation, more so now that I know it's possible. I hope to hear back from you soon about the way you develop your characters.
Krista, thank you for the kind words. And, yes, there will be others. The second one (Ink Exchange) will be out in 08.
Characters . . . *re-reads thread* Oh dear, sorry. *blush*
RE: "When you make your characters, do you think them up as you go, or do you outline their personalities and appearances, tastes, etc. before you write your novels?"
Neither & both actually. They start to come into focus for me before I start a text. I have a few traits, & I jot those down. Then I pick a name. No name=no words on the screen. I try several names until I know who they are. Then, since I write multiple POVs, I just sorta write.
Sometimes though, they come to life fully formed (Beira did, as did Keenan and Irial and Rianne and Grams). Sometimes I need to write texts from their POV to "get" them-- Donia, Ash, & Niall so far. Sometimes, I kinda dream them. I like to meditate, so I just clear my mind & wait. When I'm lucky, they are there.
I don't do profiles or any of that orderly stuff. I've tried. It doesn't work for me. I guess the full answer is that it's not always the same. There's no process beyond the fact that I need names before I can write stories. . . which probably isn't very helpful, is it? I wish I could give you a better answer, but I hope that something there was of use to you. Sorry for the oversight before :(