Just when I need you all so damn much.
I'm soldiering on as best I can, taking care of the children, the house, bills, work.
Mother's off her meds again; she slips away further each time.
I don't know what keeps you in Europe - it isn't the business, that much I know. It must be the family you're avoiding.
I can't hate you; I can't love you.
I want to hold you like before, when we pressed tight, pulled each other down and tumbled on the bed, pausing only after an hour or three of kisses, scented honey dripping from still-steaming toast - dewy, hot, spent.
Michael needs you, someone who'll read the box scores and tell him the roster; Anne needs you - someone who'll play prince to her princess.
Their daily games turn to howling at night; they want to call you, but you're six hours ahead.
I miss you, I don't miss you.
I miss not you, but the you I thought you were.
From the get-go, I thought you were a man for all time, not this waffling, yo-yo kind of love.
This makes my anxiety screech as in a psycho-movie murder scene; you're murdering my soul.
I've turned completely cold, to you, to myself, to all.
Mother slips away, I can hear it on the phone; she tells me she's in Mexico looking for lost children. I know she believes this fiction, but it is her mind that has led her astray.
She draws a long breath between pulls off her cigarette; last month, she'd quit, this month she's on the Pall-Malls again. It's her life, her soul, pell-mell, willy-nilly, will he, won't he, loves me, loves me not.
It's like your love. You love me, love me not. You said a thousand moons ago you'd love me forever, that you weren't a surfing love: hey, it was real but gotta move on.
You were more together than all that, you said. Now you tell me you gotta go with your heart. If only your heart knew what it wants. You admit that you are torn.
I have ceased to care about your heart. I have all our hearts here to care about.
I'm soldiering on here, as best I can. Up late writing stories for the magazine.
Morning comes, too bleary eyed for contacts; oh, the horn-rims are geeky, but I don't care, for me it's faded jeans and your old shirt, sandals and a claw for my long, messy hair.
Morning comes and I have the feel of you wrapped in your old shirt; your scent stings my nostrils, reminds me of what we once had. Damn you.
I take the children to the tot-stop, let them run free. I run them like dogs, till they pant, breathless, wagging. They sink into the back seat, like peanut butter into bread. A moment of solitude.
I know something's up. Something's always been up, with you; this pull away from the marriage, away from me; it's your yo-yo, your psyche, your issues; they have nothing to do with me.
It's a woman, it's a man, it's neither or both; it doesn't matter. It's business, it's sports, it's your dark soul; it's none of it, it's all of it.
It doesn't matter. It's all the same - a crying infidelity, this difficulty you have of expressing your feelings.
You write, you paint, you play guitar; I do the same, or would, had I time between children. I soldier on here.
Mother slips away further each year; eventually, she'll go to a home before her time.
You people are all out of whack with yourselves.
You run on the treadmill like a bloody hamster on his wheel; he runs because he knows nothing else.
I see reflections on glass-walled skyscrapers as people pass by; their reflections are a step behind their personage, as if they are out of synch with their own step.
I'm out of synch with whom I want to be. You're out of synch with, well, I don't know.
I see a reflection in the mirror; it's not who I want to be. It's not who I am.
I must adjust my soul-image.
Damn this life, damn your life, damn this business that keeps you from us; I want my youth back, I want our life back.
My moment's solitude is over.
The sun is up, the baby is awake; she cries for you. Michael is tearing up the house, so wound up is he, his head's not on straight.
Mother's off her meds, just when I need her most.
You're all off your meds, you're all so far away from me, just when I need you all so damn much.
* * *
Copyright © 2006, 2007, 2008 Kathryn Esplin-Oleski***
This is in the fictional series on marriage and family.
This has been revised since it was previously posted.
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Comments: 157
"hey, it was real but gotta move on. ..."
man does THAT hit a chord for last year and it wasn't fiction.
Well done, KEO
I cannot be in his head, but I can, I think, make an empathetic response that he might make himself.
Speaking for another is not ever a wise course, the margin of error is far too great.
With Each chord Brit pulls from his battered guitar, his love for you is expressed,
frustrated by distance and time, his music brings others to his realm,
and him to theirs.
The dollars flowing into the family accounts are a poor substitute for a warm embrace,
but without them that embrace would come at a high price.
Art and Love, two masters.
Serving either leaves the other lost.
sad
Well, you pulled a few of my strings with this one. Let's just say it is a little too close to home.
Blessings ~
Rene
Although I don't think it's ever all just the MAN. As tempting as it is, to assume that, sometimes... Even though it is usually the woman who feels the RESULTS of it more, when things don't work out, since she is typically the one left with all the children to raise. But that doesn't mean she didn't play a part, in bringing things to that stage.
Clearly, we haven't yet discovered the 'magic formula' for making relationships between men and women work... It doesn't actually appear that 'till death do us part' and 'happily ever after' are working out too well... Perhaps some of the problem lies in what we EXPECT, in the first place?
GT
Nearly nothing but novels
Chemisty for a sustainable world
And after several set backs to have that feeling of coldness ("I've turned completely cold, to you, to myself, to all.") towards another and to one's self, well that is just hard to overcome...and sometimes you can't (or don't want to), so you move on.
I am glad you enjoyed this piece.
Now get out and enjoy the sunshine!
It really touches your heart. You capture the feelings so well. Write on!
Love Maryanne
Thank you, JR...
Thanks again for letting me know.. :)
W.
Johannes:Thank you...
(There is one that can help someone in this situation...)
I have to say though that I just had another wonderful family Easter Celebration at my house with my family. We are blessed to still have F. Jay's 80 year old parents. My son and his family were able to attend. We thought they had her family obligation. So we just set another four chairs, that made 18, around the big table that God has blessed us with.
I've enjoyed this one the most--you've really captured the 'sandwich'generation brilliantly--hating this life, but not. Feeling the burden of everybody else's needs and having no time for our own. Brava!
Ed, thank you.
I am always a bit embarrassed when I've written something quickly and people like it so much. What it tells me is that sometimes our moods or feelings are in tune with the universe.
That is helpful to know. Thank you...