Sometimes I'm embarrassed by the number of how-to-write books I've accumulated in my life, and by how often I still consult them. Shouldn't I have graduated by now? Do I still need to turn to the writing gurus for advice?
Actually, I do--and in some way more than ever. Just as the literary guides helped me to learn the mechanics of style, taught me how to write an irresistible query letter on hopeful days, and reminded me that rejection was part of the writing life on less hopeful ones, I now turn to my favorite manuals for advice on promotion, the challenges of writing a second novel, and the lesson a writer can never hear often enough: the importance of daily discipline.
At times, I admit it: my collection of writing guides and manuals was nothing more than an excuse not to do the work. If you write, you know what I mean. You announce to family and friends that you need to be left alone so you can write during the sacred hours of say one and three; you get your coffee; then you turn on the computer and type your title, or Chapter One, or just your name.
And then something happens. You have no idea what to write next. And what's more, you're struck by the fear or laziness or the vast sum of every insecurity you've ever had. At that moment, out of the corner of your eye, you catch sight of one of your favorite books on writing.
Hmm, I wonder how Stephen King or Anne Lamott dealt with this feeling, you think. Clearly, before you write another word, you better find out. Before you know it, the entire hour or two you've set aside to write has passed; and while you may know a lot more about how one of your favorite authors got their book written, you haven't made a bit of progress in your own.
Eventually, you learn to make rules for yourself; and one of those rules is that during your designated writing time, you won't do anything but write! If a writing guide is worth its salt, it will remind you of that so forcefully that you'll singe your fingers on its pages if you try to open it during your sacred hours.
Of all the books I've collected, MAKING A LITERARY LIFE by Caroline See, is the one I've read and reread most often--in non-designated writing hours, of course. I love it both for its practicality, and for its generosity. I also love it because it's recommends a fairly undemanding program that even a busy waitress or mother could fit into her schedule:
1. A thousand words a da
y -- or two hours of revision -- five days a week for the rest of your life.
2. A "charming note" that does not ask a favor from a writer, editor or agent -- five days a week for the rest of your life (or flowers, lunch, drinks, a helium balloon, etc.)
If we all adhered to Caroline See's modest program, we might never become as prolific as Joyce Carol Oates or James Patterson, but we'd definitely get the book written. (And remember, no one's stopping you from doing more than the prescribed 1000 words.)
I especially love the idea of the charming note-- especially now when you can write a note without ever digging out the stationery or searching for a stamp. All you've got to do is fire off an email. The elegant Carolyn See might be appalled by this short cut, but for me, the point is reaching out--and maybe even making some lonely writer's day.
Think about it. If every aspirant spoke one kind word to or about another writer every day, maybe writers would be a little less famously neurotic. And if that's too much to hope for, it would at least make the literary landscape, so frequently riddled with cactus and barbed wire fences, a lot more more friendly place.
What about you? Do any of you have a favorite book on writing?
Patry Francis, Books Correspondent
Patry's column, Diary of a First Novelist, published every Thursday to Gather Essentials: Books. It will detail all she knows--and is in the process of learning--about writing and publishing.
To learn more about Patry and her debut novel, The Liar's Diary, visit her Website.
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Comments: 55
Maybe - just maybe - for your book recommendation. (Btw. I like the King book, not so much for the practical advice, but because it helps me relate to this writing super-hero as a struggling would-be author).
But certainly for your advice on not letting yourself get distracted from writing by writing guides. My most dangerous drug at the moment is Gather. I get tons of inspiration, but it eats up all my writing time. I have to stop that. And maybe give it an hour per day on a separate schedule.
I will.
I will.
I, too, have proabably read about 25 books on agents, writing, novels, and publishing and they were all helpful in some way. (I must confess I have a BA in Creative Writing so I have always read books of this nature.)
I found there is one pitfall every writer should avoid when reading these books - they tend to inhibit your unique writing voice. It is human nature to go to the highly successful author's work and try to find the secret key that made them so successful. You read their work and you say, "Maybe, I should write like that. Or maybe I should try that technique. It worked for them." True, but it may not work for you.
What I have found over the past year or so when I really started to concentrate on my writing again is that I am ignoring the methods of the successful writers and developing my own style and voice. I find now that when I read a novel, I say, "I wouldn't have written it like that. I would do it this way." Dan Browne is one of those authors - a lot of his writing just hits me the wrong way. I find myself rewriting his work in my head as I read it, but his plots and drama keep me hooked. He's a good storyteller as the world has confirmed with his success.
So, I would suggest that every writer read the masters, the highly successful authors and go and write your own way.
I have also put together a novel writing timeline of approximately how long it will take to complete a 100,000 word novel. Here is the timeline:
Novel writing timeline
Pages written per day Approximate Completion Time**
12 pages 1 month*
6 pages 2 months
3 pages 3 months
2 pages 7 months
1 page 13 months
* One month includes writing every day including weekends
** Based on a 100,000 word novel or 365 double spaced pages
Thanks.
Happy writing.
Another good book, in my opinion, is Noah Lukeman's "The First Five Pages."
I also agree with Anthony and Diana. I try to read a good mix: books I know I'll like, books I know I won't but are successful, classics, literary, bestsellers. I do this so I can mix my reading for pleasure with reading for effectiveness. I read both the good books, and the ones that sell. Sometimes they're one and the same; oftentimes they're not.
Thanks for another great article, Patry!
I think See's gives this advice to writers who already have relationships with agents and editors and what not. Suggesting that occasionally you send them something with no alterior motive.
I haven't heard of this book, but I will definetly give it a read. A friend just gave me "Reading like a Writer" a few days ago. I'm looking forward to reading it. I like Stephen King's "On Writing" it gives me hope. I also liked "Telling Lies for Fun and Profit." But my favorite so far is John Gardner's "On Becoming a Novelist." Some poeple in the class I had to read it for hated it. But I loved it, he doesn't sugar coat it and I love his humor!
Dawn and Gwen: I think you both will enjoy it. It's not only informative, it's very down to earth. (And Dawn, she even talks about her father's Texas chili!)
Hajo: I have the same problem! I've often wondered how the old masters could write such LONG books when they didn't even have computers. Then I realized that was probably the reason. No internet!
Carol and Lawrence U: Glad you enjoyed it! Thanks for taking the time to comment.
Marianne: Thank you! I love your positive energy.
Kerry: Community and support is what it's all about. Writers get enough rejection. It's always uplifting to give--and receive--a little praise.
tonia: There's some great creativity sparkplugs in Goldberg's book! I tried a lot of her exercises, and recently gifted my copy to another writer who I thought would be inspired by it. That's one of the benefits of having a large collection of books on writing--I get to give them away!
diana: Thank you! Always a pleasure to see you (and all your books!) here on a Friday morning.
andrea: I haven't read any of Lamott's fiction, but I do enjoy her essays, and I LOVE Bird by Bird. The chapter on writing "shitty first drafts" was very liberating for me.
anthony: Thanks for a very interesting--and informative--comment. I especially enjoyed your timetable. Made me think about how realistic I was (or was not) in telling my agent I'd deliver the next novel in two months...
paul: You make a good point--especially when you refer to agents or editors. If you have no connection with them, an email message could be seen as annoying, or a transparent effort to suck up. Authors, on the other hand, LOVE to hear from readers. In the end, I think it all depends how you interpret the concept of the charming note. Carolyn See may have meant it differently, but this is how I use it: I try to send out a SINCERE message to someone I admire in the literary community every day. For me, it could mean leaving comments about a well-written or inspiring piece here on Gather, or on a blog somewhere, congratulating an agent who was kind enough to read my work in the past on a sale, or sending a brief email to an author whose book impacted me in a positive way.
Vickey: You're welcome, and thank YOU for the comment.
Diana: You're both right. Reading is the best teacher of all.
Jean: I suspect we've all done it...
Eric: I bought The First Five Pages just before I submitted my novel to agents...Then I went back and rewrote my own first chapter. A very illuminating little book.
Lisa: I've always loved librarians and booksellers, but since I've been on tour, I appreciate all the do even more. Look forward to checking out your article--after I get my daily writing done, of course.
Tamela: I agree with you about See's advice. I see it basically as an injunction to "make somebody's day." I enjoyed Gardner's book, too. What I remember most about it is something several people have mentioned here: the importance of reading.
Ted: I'd be willing to bet there's more quality in there than you think. Sometimes when we're most relaxed and unguarded we do our best work.
Peter G: I was working full-time when I started, but I was crazy and driven so don't listen to me. Writing poetry and the great posts you share with us on Gather is a terrific use of those creative juices...and who knows where it may lead when you have more time?
So I disagree that a full-time job doesn't allow you to write. It just takes longer.
Terrie: Thank you and yes, this column appears on a weekly basis. I look forward to seeing you again.
Elaine: That's the great thing about writing: it keeps challenging you!
which recommends exactly the same thing. And it's true, literary agents and editors are frequently looking for "the next Jodi Piccoult," or the "next Cormac McCarthy." But what made those authors successful was that they weren't the next anyone; they were themselves.
By the way, I just heard Anne Lamott speak the other night, and she was great....a very funny gal.
This is a great article Patry.....put down that how to write book and just write!
The Lawrence Block books are good, too: Telling Lies... and Spider, Spin Me a Web.
Cheri: How wise you are, and totally right. The great message in most how-to-write books is
to just DO IT. If Anne Lamott is half as funny as her essays, the evening with her must have been terrific.
Kris: I'm sure Anne Lamott could turn the guidebook to Walla Walla into an insightful and funny book, too! Like I say, I have a large collection of writing how-tos, but Spider, Spin me a Web is a new one to me. Maybe I need just one more?
I'm a strong believer in daily discipline - Gather is my writing prompt and exercise drill.
I'm so excited that this is a regular feature. Can't wait to read more. Thanks.
I've found my subconscious as well as a lot of creative processes are MUCH closer to the surface in the year I've been on Gather. That is a good thing.
I've found my subconscious as well as a lot of creative processes are MUCH closer to the surface in the year I've been on Gather. That is a good thing.
I've found my subconscious as well as a lot of creative processes are MUCH closer to the surface in the year I've been on Gather. That is a good thing.
I agree with you about Gather though! Definitely helps to make creativity a habit.
Beth: Looks like we have the same books on our shelves!
Scott: Now do I get my Easter peeps?