LAS VEGAS--The beauty of the Bellagio fountains, its lush conservatory and botanical gardens, even Dale Chihuly's art glass fade into the Las Vegas landscape as you step inside Ansel Adams: America, a year-long exhibit of 50 classic photographs on display through May 11 at the Bellagio Gallery of Fine Art.
Through Adams' lens we see Aspens at Dawn, the Tetons and the Snake River, El Capitan, Moon and Half Dome, Yosemite and more-- in
person. The black-and-white images made by the legendary landscape photographer depict America's majestic mountains, canyons and valleys.
We wonder what Ansel Adams would think of this valley today, where 30,000 to 35,000 new homes each year are quickly climbing the mountains, carving up the earth like some kind of strip mine. As Lake Mead drains to its lowest levels, the growing water shortage hangs over Las Vegas like an impending thunderstorm--if only it would fall. Some say Las Vegas will be "completely developed" by the year 2010.
We loved listening to the self-guided audio tour and smiled at the humor in some of Adams' own commentary, but the grandeur of these awesome images is best appreciated in complete and utter silence. Like the hush that falls over you when you approach the rim of the Grand Canyon or the tilted, wide-eyed wonder invoked by 300-year-old redwoods, these photographs command your undivided attention.
It was fitting that we stumbled upon this exhibit in its final days. There is a sense of urgency as we walk upon this great, green Earth, and we will need Adams' incredible vision to see it.
I know that I am one with beauty
And that my comrades are one.
Let our souls be mountains,
Let our spirits be stars,
Let our hearts be worlds.
From Ansel Adams, An Autobiography
A mantra of Gaelic origin given to Adams by Ella Young
The Ansel Adams collection, on loan from the Center for Creative Photography at the University of Arizona at Tucson, also includes rare, archival materials, including personal correspondence, camera equipment, light meters and photo logs. For gallery and ticket prices see The Bellagio Gallery of Fine Art web site.
Famous friends: Georgia O'Keeffe, Alfred Stieglitz, Cedric Wright, Edward Weston, Dorothea Lange, Beaumont and Nancy Newhall, David Brower
Avocation: Georgia O'Keeffe once joked that Adams was a better piano player than photographer. He was, in fact, an accomplished musician before he was inspired by a trip to the Sierras to take up photography.
Organizations: Ansel Adams made an indelible imprint on many groups, including the Sierra Club and The Wilderness Society
Record price paid for an Ansel Adams photograph: $609,600 for Moonrise, Hernandez, New Mexico
Gather travel corresepondent Lisa Gensheimer is a writer and documentary producer whose work has appeared on public television stations nationwide. She is the author of Pennsylvania Wilds: Images from the Allegheny National Forest, a fine art photography book featuring the work of Ed Bernik.


Comments: 31
Spartan-- a windshield washer and a microwave? That's a new one! I wish I'd had the opportunity to meet this resourceful guy in person.
Isn't it great that Ansel Adams' art is so accessible? Though the publishing rights are restricted by the Ansel Adams Publishing Rights Trust, as Amy and Nancy point out, there are plenty of opportunities to experience the works of this American master in person.
Gerry--I'll admit until recently I've been a skeptic when it comes to some of the Sierra Club's initiatives. I never really understood Aldo Leopold's land ethic or the need to lobby for greater areas of roadless wilderness. Until now, I thought establishing and maintaining our National Parks and Forests were enough. Maybe it was watching An Inconvenient Truth, or my time spent in the Allegheny National Forest, or the poetry of Native American wisdomkeepers, or the cumulative effect of all this reading ... but I've come to realize as Aldo Leopold did that each individual is a member of a community of inter-dependent parts. And that community includes every bit of soil, water, plants, and animals on our planet, and then some.
"...A land ethic changes the role of Homo Sapiens from conqueror of the land-community to plain member and citizen of it," Leopold wrote, "It implies respect for his fellow-members, and also respect for the community as such."
I heard a public radio program about development and water issues in Vegas just yesterday (or the day before). (I can't remember which one it was....)
I think his books are still very relevant to photography today. While the equipment has changed, the elements that make a spectacular photograph haven't. I think the new equipment just makes photography much more accessible and afforable for serious hobbyists. I'm also enjoying his writing style very much. I'll do a review of the series, or maybe each book, as I finish them. I also own a number of his photo books, which are great to study. I think the more photos you look at, the better photographer you will be.
Elizabeth--Like you and Mr. Evans, my daughter and son-in-law have a print of "The Tetons and the Snake River" hanging in the living room of their first home after having celebrated their honeymoon at Grand Teton National Park.
Guy and Aniko--Yes, it sounds like water is the next oil in terms of valued commodities in short supply. Let's hope community planners are giving some serious thought to this.
Pamela, Jenn--There is nothing like seeing an original artwork in person! Though don't be disappointed, Matthew—Adams' work can be appreciated in books and online, too.
Madame Donna--If only more families would experience the great outdoors like yours did. That is the greatest hope for our planet, I think.
Nana--Yes the desert is beautiful in its own way. Glad you got to walk in Lake Mead and tour the Grand Canyon.
Kat--Thanks for your insights. I'm with you--studying exceptional photos can help us become better photographers ourselves. The same is true with reading the best literature and creative non-fiction, which leads to better writing. So much to do ... so little time...
Sue and Connie--thanks for visiting with us.
Moggy--I'm not sure where it's headed next.