WATCHING RHINE
It just lies here in its big
curve through Basel
on an early autumn
evening, possibly wanting
to have changed its course
a few times over the years
but maybe not minding
this fairly graceful if
cemented embrace.
I ought to know Rhine-stories
like of old Mississippi but
the “Stinkin’-Water” so-
called I grew up anext
was simply too cold too
busy too full of big
rocks. This must be what
civilization means,
to lie in a slow curve
with quiet big bridges
and lighted decks of hotels
casting sparkles on you.
And I guess I’m
pulling this out from the
lingering fragrance of
much more serious poets
who wept and died
into this stream without
having gotten it all said.
At that thought some guy
with a real funny hat
walks by in silhouette
with a red bag of no doubt books
over his right shoulder.
There was enough light
to see that.
20000926, Basel, Switzerland

(c) John Harris Beck


Comments: 41
Glorified too
I enjoyed the languid
Peace of the Rhine
The contrast to
A putrid upstart
In Wyoming
Featuring this on Gather Essentials: Writing.
Thanks for contributing, John.
Your lines:
"who wept and died
into this stream without
having gotten it all said."
I chuckle for we never get it all said do we?
This, John was a good read. Thank you.
getting enough said and getting it said just so can be just as slippery
yet, you seem to get-along just-fine JB and
with a sure-footed step too
River's a tremendous image, as you've noted. I appreciate your widening the view.
Basel is also where Switzerland meets France and Germany. A hot lookout in the Great War.
A fine meditation.
This certainly brought about nice memories.
I remember the Rhine in all its March swiftness. Your words bring it all back, the magnificience.
Faith, Esther, thank you. Peg, I'd somehow not thought of "Ole Man River," which was fortunate at least when I was writing it or this would have been very different!
Barbary, water traveler, thank you!
Not trying to be dramatic but listening to them; thinking back on my memories; hearing the words of my children and grandchildren ... There really is something about even the tiniest trickle of a spring that sprouts anticipation or something.
I loved the poem. My favorite thought was also
"...serious poets
who wept and died
into this stream without
having gotten it all said."
You talk of cemented embrace and I can think of 3 metaphor. One the actual large oddly shaped cement blocks often put on the shoreline to stop erosion; the actual built up city surrounding the river; the culture of generations who have lived next to this river.
Yes, this river is badly polluted and the poems and songs from yesteryear's poets helps the river retain its charm or fragrance.
Things have changed. the old spirit has given way to funny hats and general apathy. At least I believe that is your visage in the mellowness of autumnal age.
Oh, yes.
Once awhile ago so sure
no doubt
a writer of books
Now, and Here,
some doubts after all...
writer, yes -
books?
May be.
Books? Me? Yeah,
it's a commitment.
Susan, I look forward to your reaction(s).
You perhaps are noticing undercurrents? ;-]
at the beginning , gifting the potential
for some thoughtful consciousness
as well to the river, had me easily
fusing into your words and related
water worlds. The currents of the
rivers’ placements are varied and
suggestively endowed with objectified
emotive textures. The authored voice
feels distanced from them all, but trying
to create relationship……perhaps also having
changed course many times over the years.
The rivers are tried on almost like costumes-
The graceful, “civilized” curvature of the Rhine
feeling romanticized and inspiring as imagination
grasps darkening mood and time close and
embraces Spirit tied closely to writers
and books past and passed through the beauty,
vitality and challenged senses here.
The contrasting relationship
With childhood “currents’ does not carry the
same warm glow and the language reverts to a
casual rural slang as thoughts meander
back through cold and overwhelming
resistance.
The questioned “civilization” is prompted
as an abstract source of relaxed “transporting”
to slow, quiet, sparkled escape, which feels
admired, but unattainable. The primal
loneliness that finds solace in the
“lingering fragrance” of tears and deaths
of admired and “superior” poets, accents
the remote heart attentions that carry through
this pictorial poem. The naivete and minimized
view of self worth closes the last stanza
with a sidecast glance to the passionately red bag
that is the last notation of the contemplation
and the day. I feel a soul touring its own
flow in this, having not yet found the waters
that will carry him “home” to that missing place
that he seeks from outer reference and studied
scenery. The inner landscape feels to be reactive
and the creative force just going with the flow
for a transitory circulation through navigable
waters.
This is stimulating and unnerving - I will have my toes in the
edges of all of these pathways to heart while I sleep tonight,
remembering the Allegheny of my romantic youth where
I got my first great kiss….watching the Westinghouse
Sign challenge reflections with infinite possibilities
of the sequences of “W’s”. All the while, the bottom
filled with rusting appliances and men attaining their last jump
from one of many bridges to the depths.
A wonderful poem, John.