The Secret Life of Beetles
All winter they manifest at the corner
Of the eye, their spindles
Aquiver, a pinprick rhythm of
Footfalls like nothing human;
Nothing and then
Suddenly this dun beetle picking its way
Across my stuccoed ceiling; strange
As a throat lozenge perched on a plate
Of mashed potatoes.
It became almost a duty to crush them,
Their satin sheen crackled
Into guts and gasoline stink.
Without death they were
Nothing, so many jointed legs, a carapace;
It was the coming back,
The endless, grinding, lilliputian will
To be reborn that made the miracle
In my bedroom corner.
What genesis of Nile mud,
Lint and cat hair and crumpled tissues
Spawned these fry?
What rug pile metropolis, what civilization
Offensive to man
Sends forth its single spies to crawl
And look down on us,
And placidly to die?


Comments: 18
Turning the sacred into the profane is a mean trick and you pulled it off with a twist of humor for balance. Of course they return as the sun returns. No?
I especially thought of this when you put the dun(g?) beetle in the ceiling. I nailed it with Nile mud which is thick and ready to form bricks in those conical ovens.
This is actually quite brilliant and it gains in my esteem as I read it again. Thank you!
You use your poetic skills very well to cite other poems--the rhetorical question in the third stanza both harkens back to Yeats´question in Slouching Toward Bethlehem, as well as references Dylan Thomas´ Nilotic mud queries of his own morphogenetic origins in a tongue-in-cheek way--and this both deflates their original lofty poetic tasks as well as providing the humor for your satirical foray here.
The image of the beetle as phoenix is pretty damned funny, James, especially the way you set it up, as if it your duty to kill them.
All in all, a delightful postmodern romp that achieves a maximalist comic effect with its skilled tactile use of grotesque imagery--¨a throat lozenge perched on a plate of mashed potatoes--¨ a stylized form of using erstwhile literary strategies in novel ways, and the levity with which you practice a sort of cool cruelty of the imagination.
Like Erasmus himself, you look down on the human being, measure of all things, and just by comparing us with the bugs we must annihilate, find a clever way to find us utterly undeserving of our pompous self-regard.
Through magnifying glass
It caught the solar slant
In smoke to death did pass
James, I loved the journey to the fibrous jungle of your carpet and mourned the loss of inky stinky scarab. My bedroom spies are spiders.
You know, the Egyptian mythology of the scarab hadn't occurred to me until you mentioned it, Umar, but it does fit here. I was referring to the ancient (and discredited) theory of spontaneous generation, of which the supposedly asexual "birth" of vermin from the mud of the receding Nile river was often cited as an example. (This is where Dylan Thomas gets the notion; a more commonplace example would be the sudden "appearance" of maggots in rotting meat.)
That said, the idea of spontaneous generation does add to the aptness of the scarab as a symbol for the sun that "dies" every night and is "reborn" every morning. And the fact that the beetles in my bedroom-- I have yet to identify them-- behave, mythologically speaking, just as the scarab beetles do, suggests to me that life closely observed anywhere will direct one towards the spiritual resonances of nature.
Such fruitful comments you all have given me! Thanks again. :)
I grieve in the summer when I must rid roses of Japanese beetles.
Besides being clever and interesting your poem is a story in itself, on us and the others.
...Admirable writing.