
CONSECRATION OF THE HOUSE
For my homeland: 9/11/2007
We all have set up walls, to give our selves
a home, built of what seems most strong,
trued to our own uprightness, right or wrong.
Set in this treasure-place how are we not
to think it only ours? To make its truth
a walling-out of friends unrecognized,
as well as thieves and liars?
Trust encompassing
all worlds-- Sight that resists not any thing,
and so can all things see-- Thought not stopped up
in single works, but ever working free!--
and Warmth within so fired that touch won't
freeze in fear, or graspingly--
such Spirit Lights
give homes Transparency, doors Strength to close
and open free, and all who dwell inside--
Authority to live becomingly.
(c) John Harris Beck


Comments: 42
Tom - idealism - yes. This is even in a somewhat stilted old idealist style, willfully archaic.
Edward, thanks, I ditched the bolds. Much better.
John, thank you, I appreciate your approbation.
I like this ....read a few things lately re: rhyming poems (bad; I don't agree) .. this works beautifully read aloud.
Blessings and good luck, now and always - S.
Thanks, Liz, Esther. "Excelsior!"
Fatima, I'm glad there's a Whitman echo for you.
And Sveta, wouldn't this be better in Russian? More at home, maybe, where the ideal is almost felt in the language...
Faith, yes, it's got a line of purpose out to Walt... though he would spin it out in long easy breaths, and make it all so you could touch it.
And oh ... before I go to sleep, I realised that is nine eleven again ....
Silence in front of the memory of such horror ...
Wish we all live in such dwellings.....in body and spirit.
In a comment elsewhere I described what was most affecting for me, as a New Yorker, on 9/11, but the continuing horror, Alkistis, is that our hearts were opened wide for a time, and were closed again when the retribution began. Closed so that we wouldn't have to feel how the "collateral damage" of our revenge and "security" inflicts the same intimate loss we suffered on many innocents.
And Smaragdus, you delineate very nicely that this is about literal house and national home and personal being,
Andrea, yes, I chose the title from Beethoven, but I didn't know it was also part of the Ruins of Athens. A mere irony, I hope, not a prediction.
I'm checking comments from the past month for those who commented on my articles so I can reciprocate. I have not been receiving E-mail notification telling me who has commented.
Thanks for dropping by, Barbary.
to think it only ours?
For me this is the core of your poem. We all believe that we have taken proper precautions and that we are safe, here in this place where we can say or do as we please, refuse or accept friendships, shun neighbors. We have it all, that is until we feel
the reality of diappearing freedoms and disasters brought on by bad politics and lack of understanding.
William, it does make the second stanza stand out, kind of reversing the flow of stanza one. It's an awkwardness that is something like old-fashioned speechifying (I grew up in a house with a lot of old books around). Then the last stanza take off in a third direction. This is definitely a funny-strange poem rhythmically...
Anne, I'm glad you came, and glad I'm getting to know your poems.
such Spirit Lights
give homes Transparency, doors Strength to close
and open free, and all who dwell inside--
Authority to live becomingly.
We Americans, so vulnerable to that heinous attack, so horrified by the vision of collapse, are ultimately generous and noble in spirit.
The metaphor working for me is of that of our collective American spirit where we
live our lives as free citizens and by doing so set a global example of democracy in it's
ideal form. We have historically opened our doors and hearts to immigrants and we
have also tried to help those who suffer in other countries. I hear this thought in the second stanza.
So much is said in these encouraging and well chosen lines.
Though it is written in honor of 9/11 it stands on its own as a poem for all time.
Thank you, John. "A commonwealth beyond suspicion and fear and Cold War paranoia rehashed as terrorist stealth." Powerful prose.