Digging For Gold
He scraped the top of the Formica table with a razor blade. She sat across from him, trying not to be excited. The laminate was colored with swirls of grey and blue, and if you looked hard enough, embedded with tiny gold sparkles. When he was younger, he would get so absorbed looking for them his mother, in a grey housecoat and no sparkles, would have to constantly nag him to eat his dinner. His imagination mined for wishes such gold could bring.
"Penny for your thoughts Charlie."
Her hair was the color of corn; she wore it down today. It was a special day. She leaned forward, smiling at him with bright, pink cheeks. Her arms stretched out across the table, hands clasped, potential energy leaking from her fingertips. He reached out to swipe some.
"For you," he said, "I might have to charge a quarter."
She laughed, and he was glad.
"I can afford it, you know," she said.
"I know. This is an amazing opportunity for you."
"The chance of a lifetime," she added for fun, quoting his favorite movie. She was trying so hard to make this be normal. Normal would be her hair in a ponytail. Normal would be a pullover instead of that silk blouse she was wearing with two buttons opened. Normal would be a grey housecoat, not a pink trench and pumps that matched an overstuffed pocketbook.
The corner of the blade caught an edge, and he began to twist and dig at the groove undoubtedly left by someone carelessly cutting their peanut butter sandwich without a board under it. A perfectly pink manicured finger appeared pushing a coin.
"What gives Charles?"
What gives? Santa gives. Levies give. Lovers give. Mothers give—
Up.
"I was just thinking I've never seen you look so pretty."
"That's very sweet, thank you." The silence that followed was full, expanding by the second. It threatened to envelop him.
"I did ask you to come to this thing with me."
"I know you did. I have no desire to attend some soiree full of suits and benfactors." What would he do? Talk about ground wires and voltage? Rave about the horsepower in the new Mustang GT? Bitch about transit fares going up again to the CEO?
She sighed. "Would you rather I not go?"
"Of course not," he told her. The chance of a lifetime. Up the ladder of success. A chance to be someone better.
The kiss on his cheek. Her trench coat smelled like moth balls, her breath like mint. "I'll see you later baby," she whispered. "I just have to go out for a while, ok?"
The manicured finger stroked the back of his hand, leaving a burning trail.
"What are you doing with the razor Charlie?"
"I'm digging for gold."
She sat there a minute or two, then stood and walked around the table.
She kissed his cheek.
"See you later," she said. What he heard was the damning finality of "goodbye".
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by
Gina M
Member since:
December 22, 2005 Digging For Gold - May Flash Fiction Contest
May 14, 2006 04:10 PM EDT
(Updated: May 15, 2006 03:12 PM EDT)
views: 202
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comments: 13
Tags:
short story,
contest,
feelings,
fiction,
gina m,
flash fiction,
relationships,
writing,
may flash fiction contest
To Group:
Writing Flash Fiction
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Comments: 13
However, in the first paragraph, Formica is a brand name and should be captalized. I believe that "When he was younger he got so absorbed looking for them his mother, in a grey housecoat and no sparkles, would continually nag him to eat his dinner" needs punctuation help and in "His imagination mining for wishes such gold could bring" changing "mining" to "mined" would help.
Misspellings like "undoubtably", "perfically" and "benfactors" are distracting. Also, the last sentence confuses me. Who is the "I" who heard the damning finality of goodbye?
It is tight and fast moving and I enjoyed it very much.
Great feedback gentlemen. Carl thank you for calling all that to attention.
::off to fix errors::
"What gives Charles?"
What gives? Santa gives. Levies give. Lovers give. Mothers give—
Up.
"I was just thinking I've never seen you look so pretty."
And my comment would be that I understand what you're doing here, and technically it is quite correct, but I still feel that the short sentences of narration are hard to pick out as not being dialogue, especially if one were to hear being read aloud (i.e. without looking)... which I think is often a good test for writing. Again, it's not a must, but if you can remove impediments, it will only improve.
I'm left feeling a little confused as to the identity of the woman. Generally, the sense is that she is his mother, but the erotic intimacy in "The manicured finger stroked the back of his hand, leaving a burning trail." and the fact that she makes no comment on his digging at the kitchen counter with a razor blade sent me vaguely wondering if he's not talking with a wife or girlfriend over the old Formica. Just my thoughts, if you can use them.
*blows kisses*