I buried them in a shallow grave
outside the sunroom where their cage hung
rain washed their hollow bones into a deep earth cellar
Where I descend by night with my lone candle
to find them fixed in strata, yet not fixed
scaled claws striking Jurassic dragonflies
My shadow flickers and dissolves
as I sit at the sunroom desk
Tiny scaled claws strike my head
Pinioned dervishes scold
my suit of black and white feathers
my scientist's smirk
my two-finger typing and obsolete opposable thumbs
Telling the world dinosaurs aren't extinct.























Comments: 54
I love the smooth transition you make in time and layers of earth. It is very beautiful. And I find it a very interesting perspective on the birds that you think of them in archaeological terms once they are dead. It is a strange kind of enduring love for the story of these birds that will be re-constructed once they are unearthed in your imagination. In a very real way you honor them much as a child might with an aggrandizement worthy of giants of an ancient world. You have given them a larger life in death.
Whetstone
Thanks for sharing this in Artistic Minds®.
Have a GREAT WEEKEND!
The picture goes really well with the poem too. I also am inspired, as you know, by various surreal images!
I tend to prefer line breaks, but am not sure how you feel about that.
I think what you've written and how you've expressed the birds, your love for them, their departing and their connection to their ancient ancestry is beautiful.
I just prefer more line breaks.
The middle two lines also offer wonderful imagery very well rendered (IMHO)... I love the image of bird as "feathered dervish" scolding. But if I get thrown-off at all, it's because I want to read these things as personal to you, but the suit of tiny black and white feathers tells me that, at least this part, pertains more to the bird-like being in the painting than to your own physical being. However, if I look at how the whole poem fits together, there's a mysticism and other-worldliness about it which has me convinced that the mythic quality to the bird-being is very right for the poem. This just tells me how I enjoy that experience akin to hands-on personal more than standing at a distance to perceive the creative beauty of, say, an exceptional painting or performance. But from that outside perspective, I think you've done a stellar job of this whole poem.
Do you feel happy with the poem at this point? Does it convey what you intended?
Thank you for spending the time to give me this detailed reading. I didn't really think about whether the poem happened during the day or night, but of course the cellar would be dark.
I think the second stanza may still be confusing because the parakeet (who is in reality a dinosaur, like all birds) sees the man sitting at the desk (probably my animus) as a dinosaur as well-- a predatory one. The last line is meant to be both thought by the parakeet and typed by the man.
I like the fact that you use the words humility, mythic quality and other-worldliness-- I was definitely going for that feeling. Thank you again for taking the time to go through this so thoroughly!
All that being said, on a second reading, and after reading the comments I realized it was about the loss of your parakeets, I realized I was off in what I read into it.
But I liked what I thought at first just the same. To me, some poetry is all about the visual it evoked within each individual that reads it, that is half the beauty of poetry to me.
A fascinatiing imagery of your subject, Hilda. Each line superb.
As it happens next week we are taking gifts of clay dinosaurs to grandchildren.
(Not easy to wrap a dino's tail!)
"Each line superb."
You've made my week, Barbary. I must add a nod to James Ciriaco, who coached me through the endless revisions of this.
Just stopped by to read again.