("Resurrected" to highlight new photos -- close-ups of the statue.)
During a conversation we had on a comment thread somewhere, Gatherer Sarah A. mentioned that not only did she once live in this part of the world, she remembered a big brick building where she once studied French. She also mentioned memory of a large bronze statue of a stag, wondering whether it was still around -- we all know how easily people discard old treasure for the sake of modernity. Was the stag a victim of urban renewal?
The answer is: yes and no.
The large brick building is none other than Roberson Museum and Science Center, located on Front Street in Binghamton, NY. I've written about Roberson previously, as this is where the "Home for the Holidays" Christmas tree displays appear each December, and I sneak in with camera and hedgehogs to see what's new. Today, I had the chance to get some sunny exterior shots, sans the grey snirt of city winters that ruined so many photos I'd attempted in that season.


Upon careful observation, it is evident that the glorious Roberson Mansion has been well maintained in proper historical splendor, even as modernity crept up alongside it. The hideous vertical-slatted extension is the museum itself, attached via strange hallways and connections that reminded me of the way walkways attach to airplanes. Inside, the museum redeems itself by providing space for marvelous exhibits both scientific and artistic.

Surrounding the front lawn -- or the space that would have been a front lawn -- is what the Broome County Historian referred to as the "sculpture pit." The area is walled off with concrete, topped with a tacky metal railing, and the only access to it is through the museum, probably only when the museum has an outdoor sculpture display. I didn't attempt access today because next month is the Fiddlin's Fun Festival here at Roberson, at which time I won't have an impatient son glaring at me from the car.
Down in the sculpture pit, cowering against the wall of the museum and gazing longingly at itself -- perhaps for companionship? -- was Sarah's stag:

As promised in the original posting, I did return to Roberson for some better images of the stag.
The entryway was on the far side of the courtyard and provided this view:

It seemed there was nothing useful nearby to give a sense of scale, so I stepped into the photo. I'm taller, so the stag is not quite life-size...

but the details were incredible... he turns out to be anatomically correct.



Comments: 21
And thanks again for finding him! It's like having a long lost friend turn up...
I'm shopping around for a new(er) car, though, and already planning some road trips once we attend to that.
It was thoughtful of the photographer to provide a sense of scale for the sculpture - although I have always believed Dannielle to be nine feet tall.
The stag is nice though.
I've been watching a marvelous transformation in downtown Binghamton: one of the lovely brick buildings on Court Street was subjected to that hideous facade-covering that made the 1960s look so "modern" -- small windows and shiny flat surfaces. This is being removed from the building and I can't wait to see the restored, original building!
Also -- repairs have begun on the old opera house downtown!
I've noticed a trend in the towns and villages around here where new buildings and buildings under repair or renovation have added "traditional style" details and flourishes. None of them are as magnificent as the genuine article, but it seems to suggest that people are becoming more aware of the value of such features and how they enhance and benefit the community.
Here where I live (a suburb) there is absolutely no defining architecture. We have several spots where buildings for retail and service businesses are clustered, but nothing that passes for a "heart" of this town. Just this past year, I've notice many of the buildings have been repainted in harmonious shades of browns and tans, and that these match colors of all the new buildings that have gone up in the vicinity. I hope this means some effort is being made to reach for a "streetscape" effect.
Not that the stag would have been to large to come indoors, but perhaps that was the original problem being solved, and/or perhaps some sculptures were designed with an outdoor setting in mind? The artist wanted them outdoors?