Well you've finally finished your first draft, edited, proof-read, and re-edited your manuscript and now it is time to have another person read your work. Nerve wracking, but necessary. The doubts start pouring out:
- Did I use the right P.O.V.?
- Is the writing snappy or merely stilted?
- Am I as funny as I thought?
- Is my protagonist human or just flawed?
One person's trash is another person's treasure, but we all want to be the gem in a pile of refuse. The mechanics of grammar is one issue, but what about the others? Perhaps a bit more subtle, but affecting the reader's perception of your work:
- chapter breaks, effective in keeping the reader going, flat, or just annoying?
- pacing, do you give your readers a break or are they sprinting, or did you leave them to wander somewhat aimlessly towards the end?
- exposition, mind dump or cleverly woven in throughout?
- Am I telling the story from the best point of view? Should it be multiple or not?
How much time do you spend contemplating these issues before you start writing? Or do you just let loose the muse and see where she takes you? When do you grab back the reins or do you let her drive the whole time?
I am working through these issues presently and was wondering how others approach them.


Comments: 304
Lisa had an in depth response right at the wire in regards to pollution in China. I saw the pictures my husband took of Hong Kong and I have no interest in visiting in the near future because of the layer of ick in the air.
Diving out to collect a child, chatter. Go on, chat!
Simon I just keep writing new ones so I don't have to edit and answer my above questions. Something is telling me that this may not be a good long term strategy though.
Lisa made a great point at the end of the last thread. To which I refer you all. I am not going into it here. This is an artichoke and writing to the audience thread.
What Cathy and Jamie said.
And the air in California has improved tremendously because of California's regulations. Because of government. Plus, you do know that California's energy usage has remained flat since the 70s because of regulation (there was a great series of articles about this in the NYT and I think WaPo a couple years ago. I have it somewhere).
I also like the idea of using the government procurement process to encourage entrepreneurial efforts - like say, hey, we want our government fleet to be plug-in hybrids by X year. Create a market and you create an incentive.
Annnddd...the problem in China vis is not central planning. It's exactly the opposite. Provinces do whatever the hell they want with little regulatory oversight. Pollution there kills people, and not always slowly.
The head of their EPA is a really smart dude named Pan Yue, and he has flat-out stated that in the long run, the lack of regulation damages the Chinese economy and even threatens China's "economic miracle". But that's the problem with the way our "capitalist" system has function in recent years, in general. It only looks to the next quarter, not to long term profits. And a part of this is a distortion of costs. If businesses don't have to pay the real cost of dirtying the environment, there's no disincentive to stop them from doing so.
I think that capitalism and entrepreneurialism can be huge engines of human progress, but that we need to really look at costs and benefits in a different way.
(to which I added)
Oh, Sy just said that too. About regulations, I mean.
I also meant to say that whether you believe China's pollution causes global climate change or not, there's no arguing that it affects us right here in the US. We get China's air pollution here, on the West Coast. We also get contaminated products in our food and vitamins. I mean, if we want to back away from the global economy, that's one thing, and another discussion. But most true believers in free markets would argue against that, wouldn't they?
So, there has to be another leg to capitalism and free markets, and that is a notion of common interests and the common good.
Besides, with mega-corporatism, it's kind of silly to talk about "free enterprise" and fair competition anyway. They've so distorted the regulatory and trading system to their advantage, there's little free or fair about it.
Now, I like my artichokes marinated in olive oil, a touch of pepper, and then fried in butter. OK, Beaker?
Interesting. I like to dip my asparagus into some melted butter as well. As you say, its divine.
But since you seem to be enticeable, I will give it a try. Just dont expect me to come up with anything here. Lurkers abound, you know.
Jill, I'm with you on the chapter breaks. I get all in a tizzy trying to find the right spot. I do know that I hate it when an author places it in the middle of the scene because they want to keep reading, but it makes no sense at all!
Bethany this is a perfect readers' commenting thread. I think both sides are crucial here. Either likes or dislikes.
Jamie you are much further along than you think. I see the future and a spine on my shelf with Chapman scrolled across it.
Crabby lobsters (did they have a tough day?) with asparagus spears? That's pretty imaginative. Are you sure you arent a writer?
The way to do chapter breaks is easy. Follow Dan Brown. Pretend its a louse TV show, and a commercial is coming up. The last line of the chaper should read something like
"Oh my God... it can't be!!...." she cried, as she stared into the suddenly, chilligly revealed face of the stranger.
* chapter breaks, effective in keeping the reader going, flat, or just annoying?
Flat. Just plain flat.
* pacing, do you give your readers a break or are they sprinting, or did you leave them to wander somewhat aimlessly towards the end?
Left me confused and wandering aimlessly too disinterested to read far enough along to see where it tied the story together.
* exposition, mind dump or cleverly woven in throughout?
Seemed to be free flowing mind dump of disconnectedness
* Am I telling the story from the best point of view? Should it be multiple or not?
Couldn't read it far enough to determine, but from the start, I would have appreciated knowing the characters more intimately first, not later.
Ok - discuss.
I quit. I just plain quit.
Crying is allowed, however.
Remember, this is an extremely subjective business. EXTREMELY! You have to balance out these kinds of responses with, oh, a request for a full from an agent!!! Who had read the exact same passages as these people!
And apparently, I suck as a writer as well.
To answer the question in the article, I obsessed a lot over POV for my current WIP. My first 1.5 novels, I used first-person. For my WIP, I'm going with third person. This was a big adjustment, but I'm glad I went this route.
Dickweeds. Total dickweeds.
Opinions are like a**h*les, ya know?
Re: the other thing...well, that just sucks, Pat.
Now, an hour later, the weather is calm, and the skull is whisked away by my husband. See how quickly things change for the better?
Btw, the drinking part is very important. I've worked for crazed Persians and Israelis and once you can create the bubble, the distance- all the screaming and other inappropriate behavior becomes more amusing and less upsetting. Then again, I did quit my job and go back to school, so maybe you shouldn't listen to me.
All this food talk is making me hungry.
ABNA Expert Reviewer
This is going to be a good novel if the author continues on this path. I am definitely hooked. The switching of perspectives between the woman who appears to be a tribal member or some sort of primitve person unfamiliar with modern technology and the men with cellphones and paintball guns is a good idea. The prose is well written, easy to read and leaves the reader wanting more. Books that arouse questions are a good hook and in this we want to know who this woman is, what is she doing in the middle of a farm and what happened when Todd was downstairs causing a ruckus from the room upstairs? I most definitely have to know what happens.
ABNA Expert Reviewer
This excerpt gets fairly high marks for originality but the writing itself was sloppy. I felt as much annoyed reading it as interested in where the story was going, and frankly, it felt like the author wasn't exactly sure where it was headed either, rather, writing by the seat of his pants, trying out ideas and storylines along the way.
The stronger sections were those focused on Char trying to get away from a perceived enemy (Bruce, Ken, Rick, Toss), sections where her internal dialogue was recorded in depth, but there was no real conversation. It was action oriented, but the author was still able to get us into Char's skin. Unfortunately the section focused on the paintball players and their conversation seemed almost as if it was written by four different adolescent boys; there was no cohesion to the writer's voice. Admittedly each man reacted in a very different and highly personal manner to Char's crazy, apparently out-of-nowhere appearance, but the entire conversation as they struggled to make sense and deal was too disjointed and it was clumsily written.
I wanted the writer to go sit down, sketch an outline and rewrite the piece, keeping plot development, story arc, and most of all, the ending in mind.
Beaker, I LOVE artichokes! In California I used to get these giant ones, out here...well all I can say is, they're bigger than a golf ball...
okay, now to read Viv's article.
About the job, you were talking about an opportunity at another company a while back. Maybe this is a good time to re-think your options. If not, at least it's good to remember you have options.
About the ABNA reviewers....um...dickweeds pretty much covers it, actually. Welcome to the roller coaster part of writing. Eventually your stomach will settle from it. I promise. Here's a Tums in the meantime.
But I adore your suggestion of cultivating ennui (though those familiar with my intense, take-no-prisoners style will be astonished). In fact, the first thing I told my boss was "what a relief it will be to finally be with a group of people where sitting around with one's thumb up one's rectum is actually the norm and richly rewarded." He threatened to kill me if I became one of "them". I'm actually being thrown in there to fix the mess, but it totally breaks a beautifully working process, so it's a net loss. But I will practice the amused glance.
My new bosses are a pair of useless, evil fratboys. Vicious, petty, and bosom buddies with the new regime. Which is why they got what they wanted. Me. In spite of everyone else's objections. I hate being the toy everyone is fighting over.
Oh well. They have no idea wombats have claws. They're about to find out.
But dang it, it took me 26 years to finally train a boss up the way I like them. Now I have to start all over.
Aardvark.
Now, my house smells funky. I'm a saint. A saint, I tell you.
Sherrie, um, taxidermy? So this happens regularly?
ABNA Expert Reviewer (1)
I felt that the plot was somewhat weak. It never materialized, for me, anyways. It never reached out and grabbed hold of me. It just plodded along. Sure, it seemed believable, but, it simply never got me wanting more. I didn't feel as though I knew the girl any better by the end of the story - our protagonist - but, I did feel as though I came to know the captain quite well by story's end. The author did a nice job on his character development and, I presume, it will continue to evolve throughout the text. The excitement of the confrontation didn't come across as strongly as I'd imagine it could have. The theme is marvelous! I liked the style, overall, finding it smooth, plausible, not at all too far reaching. I like the idea and I think that it was quite original. Overall, I give this piece an "A-".
ABNA Expert Reviewer (2)
I guess the first thing that comes to mind when reading this for me is the fact that Tremayne is the name of Cinderella's evil stepmother. Dash seems to be her male counterpart. Lily seems to be Cinderella, although she has been murdered. I am not sure where Holly factors in other than Dash views her as a piece of property he is entitled to, which affirms the fact that this is very clearly a period piece.
You can feel for Jessa in terms of her terror but her inability to speak is perplexing. She does not offer any resistance when she is accosted by Dash nor does she even bother to try to explain that she is not Lily, even when the servants are pointing out that she isn't. It is like she has lost her voice in the presence of evil. Dash is incredibly dislikable from the moment he steps onto the scene. This much is quite clear. I would be interested to keep reading to see if the author tells us what really happened to Lily and if Jessa succeeds in getting Holly away from this wretched man.
Good man Pat. Glad to hear he was ready.
Sherrie...I'm thrilled for you? Was it looking at you or the ceiling when you spotted it? Just curious.
Sherrie - ewwwww!
What Do Your Characters Want?
Dale and Pat, not only do your two reviewers contradict each other, they contradict themselves. Nothing either of your reviewers said makes much sense to me. Certainly, none of them helpful. Throw them out. Seriously.
That's alot QUETIONS Viv!? Hmmmm?
This, I KNOW from reading the excerpts: The entries by Pat and Dale (and I'm sure Jill too) were noticeably better than some of those entries that advanced. I just don't get it.
I know this doesn't help, but in my heart, I believe you all deserved to move forward. And you're in fine company. I reviewed some entries on CreateSpace that totally intimidated me in their quality. And some of those entries are missing from the top 500 too.
Like Lisa said, this business is so subjective, but I know that can't make it any easier to swallow at the moment.
Now. I have a troublesome chapter in the current WIP. I love it, but it's just taking up space. Perhaps by deleting it, I can take a step toward breaking that writing dam. Later, my dears, and thank you for cheering me up at the end of yet another day on Planet Bizzarro.
Dickweeds.