I love live music so little excites me more than discovering that an artist whose recordings I have long enjoyed is even better live. I had that pleasure yesterday,
when I attended WFPK's Live Lunch concert with Over the Rhine. The bonus was discovering new, creative Christmas music that includes blues, sex, and death (not necessarily in that order, according to the drummer).
Cincinnati based husband/wife team, Karin Bergquist and Linford Detweiler are the core of Over the Rhine, an independent musical group that performs and records sometimes as a duo, and sometimes as a larger band. Karin and Linford will celebrate twenty years in musical bliss later this month and, I believe but don't know an exact wedding date, nearly as many in what appears to be blissful weddedness. Yesterday, Linford played keyboard, Karin added acoustic guitar and cookie sheet (only on "Don't Wait For Tom"), and an extremely accomplished and enjoyable trio of musicians joined them, on upright bass, electric guitar, mandolin, dobro, drums and assorted percussion instruments.
I'm a relatively new Over the Rhine fan, owning only The Trumpet Child but hoping
some day to catch up on the nineteen years of albums I missed. The writing-all songs written by one or both Karin and Linford-is outstanding. I am a little partial to Linford's songs because he uses more words (Karin says she keeps hers simple because she's the singer and has to remember them), but I enjoy every song on this album and those I've heard from other albums.
Sample lyrics:
(If a song could be president*)
We'd vote for a melody
Pass it around on an MP3
All our best foreign policy
Would be built on harmony
If a song could be president
We could all add another verse
Life would teach us to rehearse
Till we found a key change
(Don't Wait For Tom)
He wears a tuxedo made of sackcloth and ashes
Has a tattoo of a girl who can bat her eyelashes
Down on the river he was fishin' with a sword
He knocked off John the Baptist for a word from the Lord
(I Don't Wanna Waste Your Time)
I don't wanna waste your time
With music you don't need
Why should I autograph the book
That you won't even read
I've got a different scar for every song
And blood left still to bleed
But I don't wanna waste your time
With music you don't need
(I'm on a roll)
This oyster is my world
My oyster's got a pearl
This ain't no dress rehearsal
I'm a very lucky girl
(Nothing is Innocent)
Silence is loud
Humility is so proud
Nothing is innocent now
(Entertaining Thoughts)
I've been entertaining thoughts
Of what I wanna say to you
I've been entertaining thoughts
Of what I'm gonna do
I've been saving what I got
And wondering who to give it to
I've been entertaining thoughts all over you
My daughters say Over the Rhine is folk. I say they are a combination of folk, blues, and gospel. Karin's voice-hints of Emmy Lou Harris and Vonda Shepherd with undeniable classical training--and her use of it are as close to perfect as any I've heard. Since I usually value lyrics as much if not more than music, I'm surprised to admit that I would listen to this woman sing her signature ahs, ohs, and oohs and never miss the lyrics if that was all she wanted to sing.
Every minute of this relaxed, intimate (50 seat) concert was enjoyable but if I had to choose a highlight, it would be watching Karin play the cookie sheet and the personalities of the band come alive during "Don't Wait For Tom".
In case you don't know the difference between a bass and a cello. My first answer was, "The same as the difference between a violin and a fiddle." My second guess was, "Strings and how it's played?" I'm still not sure and would appreciate the correct answer from someone who is.


Comments: 55 ( 1 removed by Sandy (Site Psychic™) Knauer )
"I've been entertaining thoughts
Of what I wanna say to you
I've been entertaining thoughts
Of what I'm gonna do
I've been saving what I got
And wondering who to give it to
I've been entertaining thoughts all over you"
I have to copy each link into Explorer, as Firefox is having another non-video non-audio moment...
Aniko, I love "All I Ever Get for Christmas is Blue". As soon as we heard that one, we were sorry we hadn't bought tickets to the Christmas concert last night.
I'm almost ready to remove Firefox and go back to Explorer. I had to go to Explorer to load the pictures and half the time can't watch videos. I've decided it's more trouble than it's worth.
Love the "Silence is loud". For some reason, it reminds me of Simon and Garfunkel, and maybe even something I wrote a long time ago.
I started all 3 of these at the same time. Pausing 2 . . . lol.
There is something about the tuning too that's different from all the other members of the violin family, which I of course don't understand. Maybe Dannielle will turn up and explain.
My niece plays the cello but tonight I heard her talking about her bass. Maybe they are the same thing. Maybe not. She plays anything with strings.
I hope you remember to listen tomorrow, too. The lyrics are nice to read but the voice is worth coming back for. (I searched my desk for your address today and didn't find it. If you want to send it privately, I have something for you.)
My nephew is getting a mandolin from me for Christmas.
Kathleen, you're thinking like I did - same instrument just played (and strung) differently. I'm anxious to see what your friend has to say.
Sandy, I got it for an incredible price on Black Friday at Amazon. It was 70% off. I hope it's a decent one but don't really know how to tell.
I will Gather mail my address. I don't think I have yours since you moved recently, but it's not looking too promising for me to get my Christmas cards out this year anyway.
Regards,
Doyle I <~~~~~
On "Hallelujah", I can only say that this must have been the result Cohen was hoping for when he wrote it. Both the piano and vocal are coming from the performers' hearts, not their heads. This is the kind of perfect technique you get from practicing hard, then letting it go when it's time to entertain—let the audience hear what you're feeling, and trust your body to remember the mechanics.
On "I Don't Wanna Waste Your Time", I got the feel of Bonnie Raitt (without the rasp) crossed with some Kate Bush. The crickets in the background were perfect. I love that they dared to explore the idea of respect for their audience and for themselves. Performing because it's your job is important, but it isn't enough. Far better to take the stage because you have something to share and a passion for sharing it. And if you're going to take the stage, far better to give it everything you've got. There are already plenty of performers willing to offer up some shallow mimicry of a popular sound, then dress it up with jazz hands and dry humping, to distract the masses from noticing that their material lacks substance.
"If A Song Could Be President" is a cute and funny song. I might add a few other cabinet selections of my own, but I won't argue with theirs. Too bad that room, with its wall of blue plates, is the acoustic enemy of whoever performs there. Coincidentally, I was just looking at that wall on YouTube and lamenting its horrible sound properties yesterday, when checking out the offerings of another group you might like:
The Carolina Chocolate Drops - "Hit 'Em Up Style"
Tonia, I’m glad you enjoyed Karin’s voice. Not many people impress me this much. Since the are independent, I thought there was a chance many would not have the opportunity to hear about them so I wanted to offer that chance here.
Thanks, Doyle. I do like the sound (and feel) of the bass. Glad you enjoyed the music.
I didn’t think you were ignoring me, Nee. I can tell the difference in the sound, just wondered if there is a difference in the actual instrument. Could you change the strings and tuning on one and make it sound like the other?
TH, we discussed this: “Both the piano and vocal are coming from the performers' hearts, not their heads.” Only regarding Linford’s piano playing and Karin’s vocals (I think she played keys on the song you’re talking about. It’s amazing how two people can play the same instrument from the same sheet music and it will sound completely different when one plays from the heart. To me, everything this couple does seem to come straight from the heart and they hold nothing back. One daughter disagrees – she says Karin is like Elvis in that she gives more than you think you deserve but it still feels like she could give more so you keep coming back for more.
Bonnie Raitt! Yes, I hear it. I agree about the disappointing acoustics in that one video. The quality wasn’t great in any of them, compared to what they really sound like and how they sounded in the studio where I saw them. Thanks for the link. I’ll switch to IE and give it a listen.
Thank you for introducing me to Over the Rhine.
How many times have you heard pop songs today use the words “nefarious” and “euphemism” in their lyrics, or evoking a character “choppin’ up a rooster for a pullet surprise"?
Gary, I'm anxious to read your review of Trumpet Child. I'm thrilled to share this common interest with you (and my daughter above you). I worked with a songwriting coach a few years ago who warned me against words like the ones you mention. I think I'll give him a call ;-)
Gary, when they started one song, someone in the audience said, "Desperado" - but he was wrong.
The lyrics are poetic, Wilhelmine. And the delivery is perfection! Wish I could have taken you with me.
To answer the Bass versus Cello question, Bass is bigger.
I asked my friend the Bass player that one and also the question about 'What's the difference between a Violin and a Fiddle? His response was ..."About $50.00 an hour!" in other words the instrument is the same, it's the manner in which it is used that varies.
Tonight I got to see both in action with an authentic Western Swing band followed by a band playing traditional Mexican Rancheras and Corridas. Two of the 'fiddle' players from the swing band played "violin" with the Latin band it was a beautiful evening musically. San Antonio has some world class musicians out there just floating around.
and he's as cute in real life as he is in his picture!
It sounds like you had a fun night. I enjoy western swing and Mexican music. Wish I could have been with you. I'll check you clickety link. Thanks!
Now I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah
Hallelujah
Hallelujah
Hallelujah
Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you
She tied you
To a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah
Baby I have been here before
I know this room, I've walked this floor
I used to live alone before I knew you.
I've seen your flag on the marble arch
Love is not a victory march
It's a cold and it's a broken Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
There was a time you let me know
What's really going on below
But now you never show it to me, do you?
And remember when I moved in you
The holy dove was moving too
And every breath we drew was Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
You say I took the name in vain
I don't even know the name
But if I did, well really, what's it to you?
There's a blaze of light
In every word
It doesn't matter which you heard
The holy or the broken Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool you
And even though
It all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah"
I can't get over the aching beauty in this one....
Article and links to the bands Kathleen introduced earlier in this thread.
Tonight! THURSDAY, Feb 5, Annapolis, MD, Ram’s Head FRIDAY, Feb 6, Elmer, NJ, Appel Farm SATURDAY, Feb 7, Carlisle, PA, Carlisle Performing Arts Center SUNDAY, Feb 8, Alexandria, VA, Birchmere
**
THURSDAY, Feb 19, Nashville, TN, Mercy Lounge, Benefit Concert for the Flannery O’Connor/Andalusia Foundation with Mary Gauthier, Old Black Kettle, Minton Sparks… What an honor to be able to raise some money to help preserve the farm where Flannery’s peacocks once roamed raising hell as only they can.
**
SATURDAY, Feb 28 THRU Mar 7, Miami, FL, Cayamo Cruise. Over the Rhine joins Lyle Lovett, Shawn Colvin, Indigo Girls, John Hiatt, Patty Griffin, Buddy Miller and many more, for a big musical boat ride to a warm place.
=0
A**
SATURDAY, Mar 7, Stuart, FL, Lyric Theater
SUNDAY, Mar 8, Orlando, FL, Plaza Theater
**
FRIDAY, Mar 27, Dayton, OH, Canal Street Tavern
SATURDAY, Mar 28, Dayton, OH, Canal Street Tavern
Check out OvertheRhine.com for details
They sound absolutely amazing!! I am going to check them out on itunes.
Kylee **is always dancing up storm ** S., Dec 19, 2008, 9:33am EST
Over the Rhine IN CONCERT:
Saturday, August 15, Lyons, CO, Rocky Folks Festival w/Gillian Welch, Rufus Wainwright and many more. Over the Rhine on stage at 5:30pm Saturday.
Monday, August 17, Omaha, NE, The Waiting Room. With special guest Ari Hest.
Tuesday, August 18,
Kansas City, MO, Crosstown Station. With special guest Ari Hest.
Thursday, August 20, St. Louis, MO, Blueberry Hill. With special guest Ari Hest.
Friday, August 21, Bloomington, IN, The Bluebird. (An evening with Over the Rhine.)
Saturday, August 22, Louisville, KY, 930 Listening Room. With special guest Katie Herzig.
Sunday, August 23, Lexington, KY, Natasha’s Bistro and Boutique. (A very cozy evening with OtR.)
And don’t miss our outdoor concert down by the Ohio River under the stars at one of our all-time favorite venues:
Friday, September 11, Cincinnati, OH, Moonlite Gardens at Coney Island.
(An evening with Over the Rhine.)
Check out OvertheRhine.com for much, much more. (Northeast December dates will be posted soon.)