Here is my dedication to him, reacting to, and playing with the visual pieces he has created. This is for you Ludi!
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"Each (word or) sentence of a text has survived the shipwreck of 200 pages. The process of writing is to circulate, to caress, to paint all the phenomena before they are precipitated, assembled, crystallized into a word ..."
~ hélène cixous,
rootprints, 18.
------|| Begin Transmission ||------
Simulations of Grolle's perceptions provides a medium in which texts can be creatively reworked and merged together in ways that are often impossible outside virtual readerly intra-spaces. As in the act of dreaming or hallucinating, the observer becomes the painter, assembling a moving inter/text/ual collage through the firing of mirror neurons. One of the virtual texts involved in the process of creative intersubjectual reworkings of texts in an observer's subjectivity, that observer's notion of identity relative to other artists emerges as fractal quantum patterns of recognition that resides (in)-terwingled, and (in)between the text and the observer.
- Will E.
------|| End Transmission ||------
What could I do if I couldn't write?||"Before all reality,
was the perception;
andthe perceptionwas
abstract.
Then came the word,
and the word was God."
~ Ludolf Grolle
Writing was to be my rescue.
. . . Even Prospero
in his book-lined cell
had suffered shipwreck
and selfwreck; his island
was unreachable except through storm.
~ janet frame,
An Angel at my Table,
London: Paladin, 1987, p. 128.
-----------------------------------------------||Reboot||
Sub/text/ual Perceptions
I think if we're not conscious we exist
Perceived as contructions, but
How can that be? Projected personas
In virtual spaces?
Just look at the sun.
Oh, if I could only make myself
Completely unafraid – once,
Born, we never die – Iron Men,
What talks we'll have, and will.

It's theorized
The universe is only one
Amoung others, infinite
Others. Though
Didn't he tell us, "In my father's house
There are many rooms…"

And I would tell you
What it's like,
Real being. And
How there are human beings for whom the sun
Is never going to shine
Is never going to rise again, ever, not
Really –
Not the real sun.

There're no exactly waking up
In radiant awareness
Celebration of their own presence these days,

Who'd get rid of themselves with no more thought
(If it were possible) than you would give to
step through these windows
of inter(sub)jectivity,

How in deep sleep sometimes even we get well.
So you can believe me, in the far deeper
Sleep (these newbold strokes of passion, maybe) we are all going
Through these portals,

Set my mind before
These mirrors of eternity,
And set me free.
-----------------------------------------------||End||


Comments: 15
the invisible and shine from within that Source
glow that allows me to nuzzle them and Ludo's
paintings at the same time and gift them both
these little whispers of gentle adoration.
I just love you both so much......how very, very
special this place we share.
I hope one day soon you will be able to see these works in person.
Sincerely "L"
portals that are metaphors for our moving through
virtually
to each other who is a mirror of us
mirroring neurons
of empathy
portals
of Ludo's Simulationist dedications
the founders
like the sun of life.
Broad sweeps of colour in rectangular shapes.
Luminosity of a mystic's vision.
Intertextualities working well in this piece, a composition of echoes, brush strokes, without connectives particularly, so the reader sweeps through portals of thoughts and images and make the connections, which are always changing as they write what they are reading.
As my inter/subject/ivity is different to yours, or anyone else's, thus not just re-creating, but weaving a new art work with each viewing/reading.
The shaman's journey altered state of consciousness through a portal
into dreamtime.
You are a poet's poet, Will. I reiterate.
I read the article today, more later. xo
He is responsible for humanity, for animals even; he will have to make sure his visions can be smelled, fondled, listened to; if what he brings back from beyond has form, he gives it form; if it has none, he gives it none. A language must be found...of the soul, for the soul, and will include everything: perfumes, sounds, colors, thought grappling with thought. "
Arthur Rimbaud, Letter to Paul Demeny, Complete Works, 103
[t]he map is open and connectable in all of its dimensions; it is detachable, reversible, susceptible to constant modification. It can be torn, reversed, adapted to any kind of mounting, reworked by an individual, group or social formation. It can be drawn on a wall, conceived of as a work of art, constructed as a political action or as a meditation ... A map has multiple entryways, as opposed to the tracing, which always comes 'back to the same.' The map has to do with performance, whereas the tracing always involves an alleged 'competence'. I wanted the text of the poem to act as a map of the art itself. To simulate and then to remix the perceptions of the visual pieces into maps drawn from text.
You've changed this poem since I read it a few hours ago. Protean Poem! Evolving before my eyes...
It's feeling like a 3-dimensional assemblage, and like Ludo's paintings in action, in planes of words moving through the text your have compiled and composed.
I like that the old concerns of poets still exists in the background, the earth, sun, life, death, us, the 'this.' These appearances in the text grounds the writing for me in existence, in my bodily life, your bodily life. Without that, it would be too abstract, too abstruse.
I like. Stunning response to Ludo's vivid luminous paintings.