[Author Note: I wrote this one year ago today, and decided to give it another look, and try to clean up some of the syntactic and rhythmic issues I had with it the last time I tackled it.]
-----------------------------------------"He tried to weigh his soul to see if it was a poet's soul. Melancholy was the dominant note of his temperament, he thought, but it was melancholy tempered by recurrences of faith and resignation and simple joy. If he could give expression to it in a book of poems perhaps men would listen."
-- Joyce, Dubliners, "A Little Cloud"
A Departure
I would lay me down tonight
Between two fragments of you —
An accused, apologetic laughter,
Spent by details of your landscape,
That you both crown and crucify me.
I chew my fingers all morning before writing.
In this war of darkened silences,
I assign myself to your sacred fire
And so, I lay me down tonight
[between] two possibilities —
A vision of before and after
Swim in the calm tonight
This love does drown
I kiss you in my thoughts, love
&
suppose the transformations of my selves
sans your dynamic sanctity.
These, stirrings, simulated knots unravelling the patterns;
I do implore these confines
Now
as they penetrate, "recreate,""refold,"
This is my everything, my beginnings, my nows, thens.
Reading coffee and smoking poems.
Your laughter, these contingencies, fret and conspire
To murder my blackened souled sons
Like water flowing into lungs,
I'm flowing through these days
I awake at dawn and
Knowing the pain, possessed of your tender joy.
------------------------
Will Evans, October 2007


Comments: 2
Over the schisms of intimacy you bend, examining almost palpable filaments of feeling, arranging a mobile of memes, testing the emotional tones, and revealing as if dispassionately how pain hovers close to joy.
Perhaps someone will listen. Was it only your voicing, your tuning, your Stimmung you wanted to bring to ear? Aren't the sympathetica of their own strung-out visits to death-shadow-valley the message? Or better, the real instrument of their "hearing"?
I won't pass this by, but can only leave the comment: "and then begins a journey in my head..." So your Departure recreates mine. Message received.
The darkened, drowned imagery is full of inversion, surprising reversals, and supple shifts; the rhetorical argument convinces us of the metaphysical necessity of this break from the other; but it is the sense of a foretold loss that is dosed out in the speaker´s doleful voice that will be repeated until something changes (can something change in a finite, predetermined series if a human being is intimately involved with another?) which captivates our attention and pulls us into this poem´s undertow.