The Finale
PART ONE
Ylanne Sorrows
Conductor Michael Schmidt bowed to the audience in Carnegie Hall and promptly received a standing ovation. Sweat dampened his brow, but his smile was magnificent. The orchestra cheered him on and the flute soloist handed him a huge bouquet of red roses.
That night, driving home, his wife, Stephanie, was showering him with compliments.
"You did a beautiful job this evening, Michael. I loved the symphony! I remember when you were writing it a year ago, in the bathtub." Stephanie giggled in her red evening gown. Michael only sighed and didn't reply. The air was thick with tension. As they drove further away from Carnegie Hall, Stephanie grew more silent and distant. Despite what Peoplemagazine had said only a month ago, their marriage was not stable, or happy. In fact, it was completely the opposite.
Michaelparked the car in the garage and didn't bother looking to see if Stephanie had followed him. His cell phone rang while his key was still in the door. "(expletive)!" he muttered as he saw the number on the caller ID.
"Who is it?" Stephanie called. "NBC again?"
"Hello?" he said as quietly as he could.
"Hi, Michael," Lola's sweet voice cooed. "I lovedyour symphony this evening. You were so wonderful. I'd like to come over and have some...ustime, if you don't mind."
"Mr. Jones, this is not the best time.." Michael said through his teeth, jamming the key into the door, and shoving it open with a violence that sent Stephanie scurrying inside immediately.
"Anytime with you is the best time," Lola said in that syrupy voice of hers. God, I wish I could spend forever with her, Michael thought, but didn't dare to say it out loud.
"The meeting wasn't scheduled for tonight, and you know that, Mr. Jones. You will have to call me back tomorrow to schedule a more appropriate time. The song is not ready. There are copyright infringement issues we need to work out."
"Oh no you don't! You do nothang up on me! Michael Stewart Schmidt, you answer me this minute!!! I do everythingfor you!!! I would do anythingto be with you forever, but your (expletive) wife Stephanie is always getting in the way!!!!" Her voice rose to a previously unexplored pitch.
"Goodbye, Mr. Jones. I will call you later, not now." Little did he know he would regret ever saying those words.
---
The next day, Michael woke up late at ten in the morning, and turned over in bed only to see that Stephanie was still sleeping. He frowned. Usually, she was up at the crack of dawn, off to meet with her society friends.
"Stephanie are you okay?" he asked. She didn't respond. "Stephanie?" He shook her and not only did she move, but her shoulder was cold and stiff. "Oh god, Stephanie, what's wrong?!" He grabbed the phone and dialed 911. "OH MY GOD MY WIFE IS (EXPLETIVE) NOT BREATHING!!!!!!!"
By the time the ambulance had arrived, she had stopped moving altogether. The doctor pronounced her dead within minutes. Michael was sad, of course, but a small part in the back of his mind told him he should be happy because now he could spend all his time with Lola. He felt a bit guilty about that though, of course, but said nothing. As the paramedics took Stephanie's body away, Michael threw himself into his car and drove to his studio, a few blocks away, and drowned himself in his music.
Angrily hurling himself onto the piano bench, the music just seemed to flow from within. A rising tidal wave on A sharp minor with as much rage as the inferno inside him slowly ebbing into a weaker E minor with a melancholy melody. He went through G flat minor, and C sharp minor, all the way through D minor. After eight hours, he finally resolved with a crescendo in A minor, landing on the highest A on the piano before falling asleep.
When he awoke, the simple rays of sunlight streaming in through the windows told him he had been there all day and night. Oh my god, I slept here!he thought.
He stomped out of the practice room and drove back to his house to find it surrounded by yellow crime scene tape and police personnel. Suddenly, he was more anxious than he had been at performing at Carnegie for the first time. He walked to the perimeter of his property and tapped the broad-shouldered detective on the shoulder.
"What's going on here?" he demanded, a sick feeling growing in his stomach.
"Your wife's death was deemed a homicide. We are now investigating. The cause of death was poisoning. She, or someone else, had forced a cyanide capsule into her mouth."
"Do you know who did it?" Michael cried.
The detective gave him a sidelong glance. "No, sir, that's why we're investigating."
---
Later in the day, Michael found he had been named a person of interest in the case.
"Stephanie and I were the onlytwo people in my house after the concert. I'm sure of it. I locked the doors, and set the alarm. I do so every night." Michael told the detective, whose name was Thomas Harding.
Detective Harding stared at Michael before asking "Does anyone else have keys to your house, or know the alarm code?"
Michaelthought about it and only one other name came to his mind. Lola. Oh god, no, he thought, remembering that she was the director of a lab that kept samples of cyanide among other things, but in the end, he told Detective Harding. "I'm an honest man," he said adding in his mind, except for cheating on my wife, who loved me until the day I started cheating.
---
The next day it was all over the news and paparazzi magazines, that Michael Schmidt had been having an affair and his wife has been murdered by his Significant Other. Lola had been arrested and confessed within hours. They had allowed him to listen to the recording of the confession. Lola's voice, usually so warm and cheery, was cold and devoid of any emotion.
"I killed Stephanie Schmidt because she was simply in the way. I removed a cyanide capsule from the laboratory I direct, and drove to the Schmidt house at 2 in the morning, where I entered and administered the capsule to Stephanie, the (expletive). I waited until I was sure she was dead before leaving. Are you happy, now, Harding? My life would have been picturesque, except were it for you. You better learn to sleep with your eyes open, mister."
At that point, Detective Harding had turned the recorder off and offered Michael a glass of water. He refused politely.
---
Lola's trial was a media circus, with big name news stations, CNN, NBC, filming as well as local stations and paparazzi reporters. Lola McLaughlin was found guilty of one count of murder in the first degree, and one count of conspiracy to commit murder. Michael slumped in his seat, barely paying attention as the judge dismissed the court for the day. Lola, how could you?he thought. But she didn't even look at him.
Lola's pretty face was impassive, as though she was oblivious to what was going on around her in the room.
At the sentencing hearing, the judge gave her the death penalty. Ouch,Michael thought. Lola, you were sostupid, so very stupid.The sentence was to be carried out in only three months.
---
Michaelwent to visit Lola on death row, but she wouldn't respond to his touch, or to his words.
"Lola, listen to me!" Michael cried. "I love you!"
"Then why do you hate me?" she asked.
"I don't hate you!"
"Then why do you act like it?"
"Howam I acting like it?!" he exclaimed, exasperated.
"You do not trust my judgment."
"Of course I don't! You're on death row, for god's sake."
"But still, you do not think that I did what was best for us."
"What do you mean?! You're going to die, Lola. That's not the best way to get us together."
She gave him a crafty smile. "But you do not know me. I am not going to die." That got his attention.
"What do you mean?"
"I am going to escape. And you are going to come with me, and we will go away to some exotic place without an extradition treaty where we will live forever together."
Michaelstared at his girlfriend in shock.
"You can't be serious. You can't do that."
"Yes, I can," Lola said. "You will have to trust me on that, and you will, will you not?"
Here is the link to part two click here it's been pretested and will work


Comments: 29
Unless that's part of the point you're trying to make and I'm being unnaturally dense and missed it. :-)
-Ylanne
-Ylanne
Good work on the beginning. And I echo the use of blue words. Not socially exceptale, but it is the way people talk -especially in strained and stressful situations.
Thanks for your comment, John
-Ylanne
Michael only sighed and didn't reply.
Michael sighed.
No need for this sentence as it is, especially being followed by "the air was filled with tension." How do I know it was filled with tension? Show me it was filled with tension.
That night, during the drive home...Is it important that it's night? During the drive home is close enough, unless night plays a role. Or just have some dancing oncoming headlights. Show me, don't tell me.
Little did he know? Cut the cliches. The crack of dawn...another cliche.
He shook her and not only did she move, but her shoulder was cold and stiff. "Not only did she move?" What, she came back to life or what?
Those are just a few in just a few short paragraphs of yours. This is far from ready. Practice the craft.
And as for the formatting, MS Word and Gather don't talk to each other that well, so it kind of, died, as for formatting. Again, thank you, Ron, for your critique.
-Ylanne
"Michael was sad, of course" is an awfully simple description of what must be a very complicated emotional state. Likewise, "H felt a bit guilty about that though, of course."
Plus, two "of course"s in close proximity.
The part where he plays the piano is a much more interesting way to show what he feels.
I don't know what your writing background is, but my suggestion would be to start with some smaller pieces as exercises - working on description, emotional states, etc. Writer's workshops and classes are a great way to improve your chops and get useful feedback.
I would like to see more physical descriptions and less "exposee" of what the characters are thinking, etc. Sounds like you have a good solid basis for a plot... So, I would suggest PUTTING yourself into the scenes and just looking around and telling us what you SEE, FEEL, HEAR, SMELL and TASTE rather than so much of what the characters are thinking... What would I see if I were there? Tell me that and the whole plot should unfold as it should to the delight of the reader...
You have a good beginning here... it needs a lot of work... And, while I think it's great that you have your "inside joke" about the "explicatives", we, your readers, are not privvy to it and should not be left to wonder why you are writing in such a unusual and disjointed style...
Style and manner of language is easy flowing. However, the value of a literary piece for me does not rest entirely on syntax.
I am always of the school that for a short story to be effective, the writer has to show rather than tell. Give me edgy imagery, relentless truthful visuals. I don't need you to make me feel like you're giving me a walk-through into the story universe.
Engage me. Involve me. I want to watch the characters interact with each other. I want to see, smell, touch what they see, smell, and touch. I want to be in their world without the storyteller's idiot boards editorialzing the plotpoints.
Now on with the deeper structure...Wait, but I need to see the re-revision again. Probably the re-re-re-re-revision.
There goes a hint for you: re + vision.
-Ylanne
Thanks to Lisa, Sheila, Jean, YANO, Jane, and Julia.
As a reader, I have no real relationship with the characters as they are basically cardboard people, one dimensional. I have no concept of where the story takes place, who is involved and the images are just not there.
Suggestions, go to the library and take out one of Anne Perry's, Michael Connelly, or Dick Francis's books and read for a character study--get to know your characters inside and out before you start to write--you need to make the reader truly care about, at least, one of your characters.
Point two--scenes such as this should cover a short length of time--at the most three days. You have things carrying over for a year or so.
If you would like contact me through my email and I'll be happy to work with you on this.
Keep writing---the more you know, the easier it gets. dorry aka catydorr224
I have to basically empty all the contents on the page-you know like I have the flu. Once all the characters have told their side, and they shut the Hell up, then, I can go back and rearrange and work on transitioning. Some of us (me) have an urgency to just get the story down. Okay, get the story down. Then, go through with the upmost loving care, and think about the reader. How can you make it painless for the reader? I have been given this advice from some best-selling novelists. I hope this helps you.
Again thanks for all the help.
-Ylanne
P.S. When I am published, it will be called "Starless Sky", "Faith, Hope, and Love", and/or "The Dreamer's Song", depending on what gets published when.
I always use the author's golden rule:
"Write -- to never be ashamed of what you have written."