For Kathryn Esplin-Oleski, versatile journalist, fiction writer, and poet, who I am lucky to count as one of my virtual friends on Gather. The documentary on global warming featuring Vice President Al Gore that is mentioned in the poem is entitled AN INCONVENIENT TRUTH (2006). The ¨butterfly effect¨mentioned in relationship to Mr. Gore is the chaos theory that small variations of the initial condition of a nonlinear dynamic system may produce large variations in the long term behavior of the system. This was first utilized in literature in an early form in Ray Bradbury´s classic sci-fi story, A SOUND OF THUNDER (1952) when a time traveler goes back to the jurassic era on a dinosaur safari, just after watching a presidential candidate that would save the country win the election. Unfortunately, a single butterfly is trampled underfoot before he returns to the present. When he gets back, he finds that the other candidate has won the presidential race, and there is an ominous ¨sound of thunder.¨
I´ve never actually seen one from
a ship´s deck floating by the floes
I´ve seen their mountainous masses often
in Titanic movies or nature-oriented TV shows
more recently in many high-res photos
breaking off from the cracking ice shelves
on first one science web site then dozens
This was after I saw the president
who was finally not elected the president
and stayed butterfly effected vice president
in a film that won for him a golden statuette
But it was their white tips that kept me watching
as well as I suppose the glaciers melting
and the storms growing and the seas rising
So now I say
I have to do it
once and for all
before things really heat up
I have to see an honest-to-God iceberg
from a real ship with my own eyes
and reach out my mouse claw
and taste its dripping
coldest of waters


Comments: 63
U
At any rate, good poem
I read that Bradbury story once and was really intrigued...and then forgot its reference.
Thank you for reminding me. It was a great read.
So was your poem.
All hail to Kathryn.
I was reminded by several images as I read your lines:
One:
Your words: ."reach out my mouse claw
and taste its dripping
coldest of waters..."
I could see the character attempt to experience visceral life by tasting "its dripping coldest of waters" yet her lack of experience with anything real (she's never seen an iceberg save for one in a science website ......
and it reminded me of those women, who, like some of JD Salinger's characters, may casually look at themselves while not paying attention to everything around them, such as is the case in A Perfect Day for a Bananafish, where she looks at her fresh manicure, while the phone rings, and her husband has died.
Two:
Your lines:
"This was after I saw the president
who was finally not elected the president
but stayed butterfly effected vice president
in a film that won for him a golden statuette"
The irony is lost on the character but not on the reader, with the double entendre of 'the president who was finally not elected the president'
I see the ironist/narrrator forever lost in her world where she never directly experiences anything visceral, and while all around her, Rome burns, the ice shelf melts.
A superb poem, John.
--------
Bradbury's work is fantastic, and the butterfly effect in his story is such a superb metaphor and reality...not unlike a similar theory - the tipping point - .
Thanks again, my friend, for this excellent poem.
You may have inspired me to write something about global warming.
I will work on it.
We need to be very careful, very aware.
As I understand it tourist passage to those outer reaches of the earth costs from around 4,000 to 30,000 dollars.
I understand it completely as a dream of some urgency.
who was finally not elected the president
and stayed butterfly effected vice president
in a film that won for him a golden statuette
These lines point us to the heart of the poem which is sort of a question: "What is authentic experience?" and that theme is echoed in the line : and reach out my mouse claw
and taste its dripping
coldest of waters
So the reality of experience depends on the reality of identity. I am not sure we can know - which is the most disturbing thing- which is the experience we are having - an experience of the world or an experience that is manufactured by the self.
We always manufacture experience in at least some ways. We drink the cold water and think: 'How delicious' . So the mind takes over the experience by evaluating it. "This is good, this is bad, this is .... and so on. It isn't just a silly parlor discussion for wimpy intellectuals. Its the root dilemma we face - as John puts it here so well.
I have to see an honest-to-God iceberg
from a real ship with my own eyes
But what is honest? And which eyes are your own? What makes the ship real? Is it real because I am on it thinking; "Ah this lovely ship."
Its no accident that John mentions the Titanic here - because that was the ultimate example of delusion and reality. "We are on an unsinkable ship." "We have nothing to fear from icebergs." How many went to the bottom struggling with the delusion? Some did - Perhaps those who played while the water lapped at their shoes. Was it an act of supreme courage or an act of supreme delusion.
:) I like that...I remember the story well....to me, it always made me think of the possibility that not one iota of this great creation can be changed without great repercussions.
So we must tread lightly on this earth.
Faith, it´s blazing hot here in southern Spain as well. But that´s what not prompted me to write this poem, but rather Newsweek´s cover story this week on the multi billion dollar denial of global warming cottage industry, that has kept all efforts to get any kind of legislation passed in Congress stymied for over two decades.
Gracias Toni for dropping by and reading three poems of mine and connecting.
John, this administration is not going to move any ice mountains unless they produce a profit, nor sign any accords for reducing emissions, in Japan or anywhere else. The problem is that many scientists see exponential changes in certain areas at this point, and no longer can global warming be dismissed as ¨apocalyptic thinking.´ Believe me, not to long ago I wanted to deny it myself, because I´ve heard too many Chicken Little stories over the years, and I´m also a big fan of Michael Crichton, one of the biggest name ¨deniers¨of the phenomenon. But facts are facts, and we have to face them.
Fred, thank you for dropping by and appreciating my poem and saluting Kathryn. I´m not surprised you´ve read the Bradbury story, you seem one of our most erudite authors on Gather.
Great comment, Kathryn. You read this poem over the shoulder of the narrator, as I intended you to, understanding the irony and not confusing the ¨speaker¨with the author of the poem as an instant default move. You also showed the sort of talents of inhabiting a viewpoint that have made you one of the most distinctive first person fictional point of view authors on our writer´s blog. I second Fred´s motion: All hail Kathryn!
You understood this poem right, Yorgo. ¨Urgency¨is the operating subtext beneath the speaker´s self-absorbed monologue.
Nathan, you notice I´ve put ¨icebergs¨and ¨Titanic¨into several poems lately, from FREEZING IN PHANTASMAL LIGHT to SIX FAMILIARS ON THE ONCOLOGY WARD....
You are right. It is a symbol for me for our arrogance in the face of an impending disaster, just as Moby Dick drowning in the desert was in my poem BLUBBER AND CRUDE.
The speaker as doubting Thomas who must prove something´s real to himself goes with his ¨mouse claw¨of a hand from too much clicking. The more we simulate this world, the more we wish it were still ´real´in the old sense of verifiable through the senses....which we no longer trust anymore, because of what we know about consciousness. Does the unreality of our grip on reality give us the right to destroy our world--I think of the line that Eliot quoted from the Upanishads in The Wasteland, ¨I have become the Destroyer of Worlds¨? Thank you again for a comprehensive look at some of the motifs and strategies of this poem.
Cheri, you are so right. Everything is interrelated, and in that sense I have already ¨seen¨an iceberg, since in one way or another I am connected to their atoms. I love your last sentence. Thank you for commenting.
Bradbury´s prophetic tale bears almost no relation to the cheesy movie they made ¨based¨on it two years ago, except that the film-makers completely got the idea of the ¨butterfly effect¨wrong, as did the director of 2004´s The Butterfly Effect. Both of these films show how movies try to ´turbo charge´an idea with CGI and plot twists that was better left elegant and, well, scientific.
And the Newsweek cover story, Global Warming Is A Hoax*, The Truth About Denial, here: http://www.msnbc.msn.com/id/20122975/site/newsweek/
For me, I mostly felt the urgency you conveyed, but in re-reading after Kathryn's and Nathan's comments, the irony, and questions about self and reality are recognizable.
Thanks John, for this fine work.
chilling to warming
brrrrrrrrrrrrrrrrrr
Rachel Carson's book Silent Spring has depressed me since I read it and saw a TV documentary on it. That was about 40 years ago.
Silent Spring is upon us. Maybe I'll theme that into what I write.
Having seen icebergs and touched glaciers gives me a real appreciation for the visceral quality of this poem, John, and for your images.
Icerbergs, like all of nature, stir our imagination.
One of these underlying themes is the quintessential dilemma that every serious writer must eventually face - whether to live life or to write of life by observing it from a distance?
Another theme is the role that chance plays in our lives, hence if not for a few hanging chads, the icebergs may have yet survived, just as in The Sound of Thunder the whole society changes drastically for the worse because of one butterfly. ( Isn't it a peculiar coincidence that a hanging chad resembles a broken wing of a butterfly?)
Funnily enough, earlier this week I recommended "The Sound of Thunder" to a Gather friend of mine - I think it is the best time-travel short story that there is.
"and reach out my mouse claw and taste its dripping coldest of waters"
This passage I find particularly evocative as the phrase "mouse claw" so vividly brings out the contrast between the magnitude of a person compared to the gargantuan dimensions of the iceberg.
Yes, this poem really made me experience the white, glacial purity of these serene giants of the seas and for now, unlike you John, that is as close as I personally want to get to an iceberg.
Your poem is the truth written in a fab fashion. I believe it would appeal to the masses that do not read poetry. Just a thought, a part of the solution?
Praise to you!
Thank you, John, for bringing such issues here...and congratulations, Kathryn!
Or, 'Hail Kathryn! :)'
I'm back to read again, a very worthwhile endeavor. But then your writings are always pleasing to me, not just because you are you - although that 's a plus!
Our Gather friend, Darcey D., from Down Under, has written a poem titled Ice Castles.
Say, were any of my books on your list/your books on my list? I'm going to check.
I have to see an honest-to-God iceberg
from a real ship with my own eyes
and reach out my mouse claw
and taste its dripping
coldest of waters
first of all, great poem!!!
2nd, The story you mentioned, was a lesson in my school and I remember having a HUGE argument with my then teacher about "the ominous sound of thunder"... This brings back so many memories...
as for an iceberg, I would love to see one, and like you mention reach out my mouse claws and taste that water, if I can, before they melt away!!!
fantastic as always!!!
I read that people go to Newfoundland in summer just to watch the icebergs pass. That sounds like the ideal, contemplative retreat.
I applaud your work, dear friend, and your dedication here to "Kathryn Esplin-Oleski, a wonderful journalist and story teller here on Gather.
Thank you, John, for this powerful and grabbing work of vision and leadership.
The underassertion of meaning has been noted. I don't go to science web sites much, but I'm sure you're right, John, they are most likely to be "cracking ice shelves" powered by the chill of positivist dogma, though that's only a second reading of your intention.
Watching melting growing rising? So now do it! Yes, "experience is the best teacher," they used to say. Anything other than experience is what? A download of something else's simpering subhuman software.
I'd love to join you, John, on this jaunt. For the moment I'll have to "think the one who thought the iceberg," pondering those accidents that have "allowed life to develop" on this planet. Such as the season-making tilt of the axis, and the fact that water frozen so unexpectedly floats.
nature shows and their impact and beauty mesmerizing many an eye with 'high-res photos"
evokes an allure that prompts a necessitation of attention. The event's sighting on the televised or photographed medium has baited a question that has been further impacted by the sardonic presidential sequence that taunts the "butterfly effect" of an election, manipulations creating a new and perhaps more influential impact for the loser, who ends up with a golden trophy for his media-saturated attention to the same pivotal concern. The "white tips", the surface allure of the physicality of the "image" has prompted the tease, with but a casual aside to the 'glaciers melting" and the storms' & seas' effected shifts as \afterthought and aside to the beauty . There is purposeful action incited by all of this information with the directive "I have" and the sense of foreboding time limitations on the quest's potential. The "heat" of the speaker's impassioned "need" maintains magnetized focus on the sensory tip's allure, evading the environmental call for change in human choices. It becomes like a trip to the zoo to see endangered animals,
But there is even more ownership of this quest in that the need is to "taste" the coldest waters that might pleasure the senses. One can only hope that the impact of that sip might elevate the consciousness beyond this moment.
This poem challenges and provokes and titillates in a most unusual way and leaves an uneasy feeling when we reflect how much we garner from third party visual exposures and rarely leave the screen to either physically experience the phenomenon or take on a pubic, involved stance in the issue beyond collecting the knowledge. At the end of this poem, I doubted that this speaker's journey would ever occur, but the fantasy was heightened to attain a full thrust of imaginative pleasure for the speaker. This is brilliant, John and I ask myself new questions, as always, after reading your provocative poetic prompts to review my own truths and influence.
"Ye ice falls! Ye that from the
mountain's brow
Adown enormous ravines slope
amain--
Torrents, methinks, that heard a
mighty voice,
And stopped at once amid their
maddest plunge!
Motionless torrents! Silent cataracts.
(from "Hymn Before Sunrise in the Vale of Chamouni" by Samuel Taylor Coleridge)
This verse precedes the third movement entitled "Landscape" from "Sinfonia Antartica" (Symphony #7) by the British composer Ralph Vaughan Williams (1952). This symphony recounts the tragic expedition to the South Pole by British explorer Robert Falcon Scott in 1911/12. The orchestral scoring includes large orchestra, vibraphone, pianoforte, organ, celesta, glockenspiel, bells, wind-machine, women's chorus, and soprano soloist. We can feel the frozen wastes of the Antarctic and the mysterious poetry of this white vision at the ends of the earth. This story also was told in "The Last Place on Earth" by author Roland Huntford, made into a Mobil Masterpiece Theatre presentation recalling the great Amundsen and Scott race to the Pole during those years. Your poem echoes some of these profound images and the words which preface the second movement entitled "Scherzo."
"There go the ships, and there is that
Leviathan
Whom thou hast made to take his
pastime therein." (from Psalm 104)
I am reminded of the disastrous flight of the airship "Italia" in 1928 when General Umberto Nobile and his crew crashed upon the ice on their return voyage from the North Pole. Author Wilbur Cross recounts this harrowing journey in "Disaster at the Pole." The great Norwegian explorer Roald Amundsen is lost in a rescue attempt as this astonishing tale unfurls. The photographs alone are spellbinding, with the most incredible capture of polar detail and atmosphere as well as the human drama.
Another volume you bring to mind is "Dr. Eckener's Dream Machine: the Great Zeppelin and the Dawn of Air Travel" by author Douglas Botting. This recounts the amazing tale of the round-the-world journey of the German airship "Graf Zeppelin" in 1929 with 61 people and Dr. Hugo Eckener piloting this craft even over uncharted regions of Siberia, landing at Tokyo, flying over the Pacific, heading to San Francisco, Los Angeles and back to New Jersey, finally to home port at Friedrichshafen. "Fabelhaft (Fabulous)" said Dr. Eckener in an apt description of this 20,500 mile voyage of 21 days across the surface of the world. Your poem reflects the grand spaces of this contemplative adventure for a lifetime.
Finally, I come to a personal observation on the symphonies of the German composer Anton Bruckner (1824-1896). I have never heard more evocative sounds from an orchestra than in Bruckner's 8th and 9th Symphonies. The Adagio from the 8th and several passages of the 9th rekindle the striking image of witnessing the melting of snow and icicles from rooftops and rocky promontories in my youth. I can never release that fleeting impression of nature's patience after a heavy snowfall. The hours of solid frozen shapes slowly disintegrating in the rising warmth of the sun, this is an image of profound beauty, divine grace, the unfolding drama of solids becoming liquid, something so transient yet poetic, the unwinding of that which seems solid but is not, the inevitable reduction of the elements to a point of disappearance. Bruckner's music mirrors these deep reflections perfectly in a sinuous yet massive manner. In the contemporary realm, the folk-rock group "The Byrds" also reflect these sentiments in the song "Change Is Now" on their 1967 album "The Notorious Byrd Brothers." This song by Roger McGuinn and Chris Hillman echoes the idea that what may seem solid could actually be fleeting. Another primal image of ice and its destiny to perhaps evaporate before we are cognizant of its demise.
Thank you, John, for this masterful poem which elucidates many details of the present age, the previous age, and the possible age of our planet's future. Your have given us much to think about in a poem which does not fade with time but extends it toward perpetuity.
With a message of importance to our earthly joy
I agree with the politics that you have deftly shown
And hope your trip to an iceberg causes no sorrow to your soul
This piece, though serious in topic, left me smiling at the boyish joy written into its words, at the thought of really seeing an iceberg in person. I have had that dream many times. Though I do not personally believe in global warming, at least to the extent that Gore et al would have us believe, I do believe that the world is changing all the time, and many things will be lost along the way - perhaps even, life on this planet itself.
Your poem is brilliantly put together as always and I hope you get the chance to "touch" and "taste" the honest-to-God iceberg. Just make sure you use that mouse claw and NOT your tongue! ;)~
"Most bergs are calved from ice sheets off the western coast of Greenland and Antarctica. Icebergs are found in both the Arctic and Antarctic regions"
(source: http://www.stemnet.nf.ca/CITE/icebergs.htm)
We sat so tall aboard that ship, but pride preceded a fall. Yet, now it seems we'll laugh last, or perhaps when we move to gloat, instead of laughter we will choke, on those infamous greenhouse gases.
Steam and smoke, black exhaust of our hubris, came from that great titan, cast down and sunken. But while crashing and banging killed our ship, we furtively retaliated. Unbeknownst to us and it, those pillars of burning earth, that thick murky smog, were losing a battle but working to win the war.
When there's only water, and our boats span continents, we will navigate the seas, free from distraction, free to do our duty; free from those gelid giants, of phosphorescent beauty.
This is nice read John.I am to see glad that you The star is back..we missed you..