A lonely piano player sat by himself in a crowded bar, under a back-lit, tobacco-laced cloud of doom.
I sidled up and asked him, “What’s bugging you today?”
He played a chord and answered --
I have become my own worst sort of dread.
What I said I’d never say, I’ve said.
What I said I’d never do, I’ve done.
What I said I’d never be, I’ve come.
I am now fatter, balder, and more blind.
Not just in vision, but also worse in mind.
I sit alone in crowded rooms and sigh.
And ponder life beyond the tombs and cry.
(c) Copyright Kenneth R. Besser. All rights reserved.
100 words.


Comments: 28
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What is going on here? The level of craft in the entries so far is outstanding.
Yes, Kenneth, I'd like to read more and see where this is going. Mission accomplished. Nice work.
Here are some picky comments:
"He played a chord and answered." Maybe "He began to play as he gave me his answer." He wouldn't really just play one chord and then sing, would he?
"What I said I'd never be, I've come." Perhaps "What I said I'd never be, I've become."
As I said, picky. This is an excellent opening.
Thanks for the input. Picky comments are preferred to general approbation.
He's not a great piano player. Hence, his chords are few and far between and most of his lyrics follow single chords or are a cappella. When singing in the meter as he is doing, shortening the word "become" to "come" fits the rhyme more elegantly.
Thanks for the encouragement.
Thanks to everyone who participates here.
Also picky - This seems "not quite right" to me
What I said I'd never be, I've come. (should "come" be "become") Might change your syllable counts though.
Okay, that being said- creative intro. I like that it's different. I balk at writing lyrics so hats off to anyone that can pull it off.
No harm, no foul.
Thanks for playing.
Rather unusual that the piano man answers in song, however. The feeling this gave me reminds me of Alice in Wonderland. I wonder if the piano man only speaks in song. I'd keep reading to find out how this plays out and to discover what is happening.
The "cloud of doom" phrase caught me on the first couple of reads. Back-lit and tobacco-laced are concrete, describing a real smoke cloud. But the doom part is poetic. I had troubling picturing the combination. For me, the two clouds clashed instead of blending.
Consider a colon or em dash after answered to lead us into the song. The period may be too hard a break.
A great submission. Different from everything else we've seen, but it's high quality. Nicely done.
If an em dash you wish, an em dash I'll swish.
Thanks for playing.
I agree with the others: 'come' should be 'become.' It doesn't really mess up your rhythm - the first syllable isn't stressed, so it works. In the second stanza, I'd lose the word 'worse' in the second line - it doesn't flow for me. Also, I'd end the first line and third lines with commas, as they aren't full sentences.
Cathy
If I were forced to make any suggestions, I'd suggest eliminating the "him" in this sentence: "...sidled up and asked him, "What's bugging you..." I'd also like to see it spelled out how he answered, meaning was it spoken or sung? Of course, maybe your intent was to pique the reader's curiousity, and you certainly accomplished that!
Nice!
Welcome to full wombat-land.
Thanks for the support.
Man will become player.
This one feels like the opening to a short story about despair. (Boy we are a gloomy lot, aren't we?)
Suggestions:
1) How do we know the piano man is lonely? Can you add anything that shows he is?
2) "What I said I'd never be, I've come." 'come' should be 'become'.
For me the hook is who is this guy and what has he been through and what has he done along the way? He's depressed and seems separated from those around him, yet he still has enough left to get out of bed and go to a bar and play the piano. So he's not totally gone. Yet.
An interesting start.