by
Dale C.
Member since:
March 7, 2007
Would this work as Romance?
July 12, 2007 12:33 PM EDT
(Updated: August 17, 2007 11:29 PM EDT)
views: 32
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rating: 10/10
(4 votes)
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comments: 14
Thanks for the encouragement, everybody. I had to take the original article down so I didn't get accused of having a contest entry two places, but I wanted to preserve the comments.
For anyone who stumbled across this and says huh? The original article was a part of a chapter from a very preliminary version of what turned into a suspense/romance.
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Comments: 14
Romance is all about emotions and the reactions of the characters to one another. The plot is actually on the back burner and to be quite honest isn't as important as having a man and a woman in total denial over their feelings, but so totally attracted to each other that they can overcome their differences. I know it's hard to make the shift in conciousness. But don't stray from the formula or you will tick off a lot of dedicated romance readers. Never...mess...with the formula...
So your writing's good here, but if you want romance, you need to get into what the characters are feeling and thinking during their exchange. Also, most romances are written from two POVs, the heroines and the heros and jump back and forth, even in the same scene - gasp!. Yep, adjectives and adverbs are allowed, especially if they describe physical characteristics - have to have a hunky hero and a lovely heroine, preferably very spunky. Flowery, mushy feelings encouraged. Internal dialogue necessary. Blushing, huffing, diverting eyes, direct stares and all of those body language signals that indicate physical attraction, even if they are calling each other names and loathing each other mentally, have to be in place. It has to be perfectly clear to the reader that the characters are destined to be together even if the two of them totally don't see it and fight each other the entire time. So if you want to write a romance (for real, I don't think you are REALLY entertaining this, but if you are) read a couple of hundred of them first and get the "feel" for them. They don't read like other novels. Then, dig into the deepest emotional soul of your limbic system and pour it all out on paper. Its all about emotion and tension.
That said, you've got an interesting start here. Does it have to go the romance route? Seems perfectly suited to the "Intrigue" or "Mystery" genres.
I have a feeling they'll have a Sci Fi contest soon. Romances sell and have a certain dedicated following. I think that's why they decided to go that route first. I think they will spread to other genres soon. I'm guessing mystery will be next.
Jamie this is some really great advice!
At the same time, character emotions are probably my weakest writing area, so working on them wouldn't be a bad thing in terms of my developing as a writer. Maybe I'll read a few Romance novels and see what I can learn from the genre, then see how close the existing story is to what it would need to be to be a minimally acceptable Romance.. If I think I can write something that doesn't stink up the place as a Romance I'll toy with the idea of entering it just as a writing exercise. If I do enter, it won't be under my own name.
Pat used the word I had thought of earlier today when reading something in the Wombat thread--yearn. That's such an important part of any romance. Sex is good. And I do like some kind of plot. But that yearning, reaching toward one another quality is key.
And internal dialogue, as Jamie said, is also important. We need to hear their thoughts.
But if you do read a couple of romances, be selective. There are some great stories out there. But there's a lot of blah stuff as well.
Men bring a different sensibility to books. I'd truly like to see what a guy does with a romance. Especially one who could share the experience with us.
Anyway....I think, based on this first part, this story has a lot of potential to be a romance or even a romantic suspense. It could use some tweaking and cleaning up....such as adverbs...don't use them.....there is ALWAYS a stronger verb! Switching POV's is fine as long as you don't "head-hop". Use your internal thought to develop your character. SHOW the story (through your five senses, actions, attributes) don't TELL (ie, He felt sick to his stomach....instead: nausea churned, burning into his gut) it's weak, but you get the point. =) Also, work on the dialogue. It should flow smoother.
Anyway...I do have to also recommend reading the genre you plan to write. But read other works too.....the best selling authors who've been doing this a while.
Best of luck.
Terri