The spike sits on a shelf opposite my desk, four inches of mottled iron with a square shank and L-shaped head tapering to a wedge. I picked it up on the Devil's Railroad in the heart of the Amazon jungle.
I take the relic in my hand with a sense of awe and wonder. 
Who was the man who swung the hammer that pounded this spike?
Was he a peasant from the thorn-studded backlands of Brazil? Was he a boy from Philadelphia, U.S.A praying to make his fortune
with the rubber barons? Was he a laborer from the Caribbean who rode one of the recruiting vessels down the river sea to Manaus?
The inevitable question rises, too: Was my unknown hero one of seven thousand who perished beside the waters of the Madeira-Mamoré, which the locals call Love-Me-River.
Some say the toll was higher, with one life lost for every tie laid along three hundred and sixty infernal miles.
The Estrada de Ferro Madeira-Mamoré (EFM-M) was first begun in 1872 and witnessed several disastrous attempts at construction before U.S. and British engineers finally completed it in 1912. The line ran from Porto Velho in Rondônia, Brazil to Guajará-Mirim on the Bolivian border. The objective was to bypass the treacherous rapids of the Madeira-Mamoré Rivers and facilitate the transport of landlocked Bolivia's rubber to the Amazon and the Atlantic.

On April 30, 1912, the last tie was placed at Guajará-Mirim and the first train made the run to the terminus at Porto Velho and the docks, where steamers stood ready to ply the navigable stretch of Love-Me-River.
By that year, too, the seeds of hevea brasiliensis surreptiously taken from the Amazon thirty years earlier by the Englishman Henry Alexander Wickham and planted in Kew Gardens in London had long since been successfully transplanted in Asia. The man-made rubber plantations were on the point of capturing the world market. Within two decades, the ruin of the Brazil's rubber empire was complete. At Manaus, the Paris of the Amazon, the lights of its Opera House were extinguished, Monsieur Eiffel's iron palaces neglected.




The steamers plying Love-Me-River dwindled and the Madeira-Mamoré railroad fell into decline, used only by locals for ever-decreasing distances as equipment deteriorated. Less than three decades after its opening, the line was being reclaimed by the jungle.
I spent a week beside the Devil's Railroad when I was researching my novel, Brazil.
Under a blazing sun at Porto Velho, I'd a feeling of unreality standing below an abandoned steam-powered crane emblazoned with "Industrial Works, Bay, Michigan." In
the marshalling yards, half a dozen Baldwin locomotives rested with their steel wheels buried in the sand.
I imagined the massive crane clanking and hissing as it led the advance along the new rail bed. I could imagine it but couldn't ignore the twitter of birds that nested in the rusting hulk.

A few miles beyond the depot lay a snake-infested cemetery with hundreds of foreign workers from lands as far afield as Denmark and China. The forest was the last resting place for countless Brazilians who came from the dry lands and died in a wet fever-ridden hell.

It was near Guajará-Mirim, the end of the track, where I picked up the spike, walking beside the rusted rails, treading between splintered ties.
Toward dusk, I heard the distant wail of a train whistle, long and lonesome. Momentarily, there came the sound of a locomotive roaring along the passage between the trees.
The jungle night enveloped the Devil's Railroad as I stood beside the tracks. I knew I wasn't the only one watching that ghostly train race triumphantly toward the old town of Guajará-Mirim on the banks of Love-Me-River.
(C) 2007 Errol Lincoln Uys
Visit the website of Errol Lincoln Uys, who wrote the acclaimed historical novel BRAZIL and spent two years with James A. Michener on his South African novel THE COVENANT. (CLICK THE COVERS TO GO TO THE WEBSITE)




Comments: 34
this is haunting history of forgotten times. I have got to get your book, Brazil!
The photos are very historic and significant...
I visited the Devil's Railroad in the sixth week of my four-month journey covering some 20,000 kilometres in Brazil, mostly by bus. I kept a daily journal, which you can brows on my website. Brazil:The Making of A Novel See The Journey - Part Two
My entry for one of the days at Porto Velho, exactly as I wrote it, reflects the emotion I felt at seeing that terrible waste of life and hope:
August 27 Above all, I have to remember to divorce present "reality" from historical fact: that the cemetery where hundreds upon hundreds - thousands - who labored to build the railroad lie is unreachable must say something. Can't go there, you're told by local head of museum, because bush that obscures place is infested with "cobras." So, too, I think are the minds of those who inherited the sweat, the sadness, the lost dreams of all who came here. Nothing. Not a memorial, not a single relic except a small station filled with "functionaries" unexcited and unmoved by what they represent.
By God! I say to myself, I'll write an epitaph for you yet, you brave "lost" adventurous souls who lie beneath this dust-damned soil. You came from so far away to so violent an environment, and you found the paradise you sought an earthly hell!
I walk through these dreary streets, I witness this museum without a soul and I feel a rage and anger beyond my control at such forgetfulness, such disregard for heart and soul and effort.
I look at a single spike, a single spar of rail, a rusted locomotive and I have respect. For what am I but an adventurer braving the same area, but with a comfort and safety you never knew. For five days I have trod these same grounds, endured the same heat - with air conditioning to help - and yet at no time have I seen anything that said these were men! — How I hate the forgetful, the thoughtlessness!
How I sometimes love the adage, "those who forget the lessons of the past are bound to repeat them." I wouldn't really wish it upon them but if they are so ready to dismiss the 6,000 (10,000?) who gave their lives in this place...
I enjoy this burst of emotion, for it gives me a special urge to reach paper, it puts six thousand spirits behind me saying, "Tell them!" It brings a single spirit, a soul perhaps akin my own, who lies a dying in Candelaria with thought of a love far away, feeling all forgotten forever — I say to that spirit bound to this dusty hell hole, you will be remembered, not alone in dry unemotive reports I spent the best part of a day reading.
I sometimes begin to feel like Lord Byron and Childe Harold: "God, why did you give these people this land?" Oursler said I had to have a key. Well, tonight, amid this searching of soul — admittedly without intellectual censorship as the good Antonietta would have it — I'm hyper-critical of the Brazilians. They were handed one of God's private reserves. Are they in the process of screwing it up?
God, how I need a Sintra! How I need some cool, refreshing place where I can breathe "fresh air," "sanity" and begin to believe! But then, I tell myself, how can you write about Brazil without experiencing all of it? Even the most distressing aspects? And what is better than spending so much time in the North/North-east until you begin to cry inwardly, "Away!"
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Thanks for the wonderful article! Great read!
..
U wishing you laughter
If ever there was a great teaser for a novel this is it, my man: I don´t need to read a first chapter, because you got me at that first spike.
In 2001 I was lucky enough to be a recipient of a $6,000 Summer Fund For Teachers Grant in the Oakland School District from the Apache Corporation, specifically from independent oilman turned philanthropist Ray Plante, who I will thank to my dying day. Because of that, my wife and I were able to tour several South American countries all summer (unfortunately, not Brasil) where the Incans had spread their empire, principally Peru and Bolivia, and managed to get to Uruguay and Argentina as well (I was in Buenos Aires right when all hell was beginning to break loose because of De La Rua´s failed policies.)
I could relate so well to your article here because we also spent three weeks in the Amazon, starting with Iquitos, where I saw Gustave Eiffel´s Casa de Fierro (House of Iron) built for the Paris Exhibition in 1889 and purchased and brought over in pieces from Europe to the Peruvian Amazon by rubber tycoon Anselmo de Aguila. I was fascinated by this story of this phenomenal rubber boom and its unimaginable wealth that disappeared back into the jungle after reading a novel in college called The Emperor Of The Amazon, and so spent some time at this Iron House as well as questioning Iquitos inhabitants about it and similiar structures built at the time.
I really liked the way you conjured up the ghosts of a dead end technological boom, and showed how the transplantation of rubber to Asia impacted South America in ways that would mean the continent never got developed (for better or worse, I suppose) as it would have if history had branched differently.
I will check out your website in the next week ( I just bookmarked it) and your novel sounds absolutely riveting. Thank you for visiting me and commenting on my poem; I never would have found you and this article, not to mention your novel Brazil, otherwise.
Have a very productive week, Errol.
Saludos de Iberia, !que todavia tiene huellas de tu amigo James Michener!
JFW
I can still hear the roar, though it is a tornado, not a train rushing toward these tracks. On July 21, 2003 this story took another turn. In my rush to document the viaduct's demise, I left behind my stash of rusted rivets, salvaged from the forest floor.
I understand why your relic holds such meaning. Hold on to that spike!
I have a deep love of the Rail Road. As a youngster I dreamt that one day I would ride those rails as a hobo. The rails were gone by the time I was old enough to not be a runaway. Thankyou for laying your passion open and vulnerable for us to see and feel.
Except for general rubber facts, I knew absolutely nothing about this topic before reading this. Just an outstanding introduction to the subject. And each photo is a story in itself. (I especially like the final one. Something about a train track, leading off into the distance)
Thanks for pointing me to this article.
As a teen, I was lucky enough to go there on a scouting trip and see the old locomotive and the truck outfitted with train wheels that were used by so many imprisoned soldiers who braved similar conditions and suffered much the same fate.
I'll have to get "Brazil", thanks!
It's one of those 'history repeats itself' situations.
How they stole the rubber business from those who suffered to build it, then left them all to perish, physically and economically. Look where all the industry has gone to...America has little left to brag about, with companies sending all the jobs to foreign countries and watching China lead the Industrial Revolution of the new millenium. Those with money care not the results of their doings, as long as they make more money. Those who lose their jobs sit and lose hope, rather than fight the 'big machine' of 'World Trade'.
I recall watching the movie, "The Farmer's Daughter" from the 1940's. In that movie, one of the issues they were fighting was the issue of a "World Trade" entity. It was a bad idea back then and is still a bad idea today. There are MANY World Trade buildings in the world now, with one being in the heart of China's capital city...what does that tell us?
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