Gather member Dorothy H and Minnesota Public Radio's Classical Music Service got me thinking about Tchaikovsky today.
Think what you want, but I find Classical Music to be crazy with passion and vitality. Whether you believe this comes from the pressure of social suppression or the intensity of the composer's scene at that time, the layered messages and fierce force of some classical works can't be denied. Tchaikovsky lived and worked in the late 1800s, not exactly a time of social acceptance for homosexuality. (We can't use the turn of phrase a confirmed bachelor, since he entered and endured a counterfeit marriage of sorts.)
If Tchaikovsky would have been able to come out of the closet, could he have enjoyed a completely different career? How would his body of work change? Would his compositions still have that sense of anguish, of fate?
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Julia Schrenkler
Minnesota Public Radio Interactive Producer
Thanks to Dorothy H for her comment, "...I can almost hear Tchaikovsky playing in the background..." and MPR's Classical playlist for March 29, 2007.


Comments: 13
Probably not, I would think, if suffering is their "muse". I think the underlying issue is: what motivates them to write/paint/sculpt/compose? If it's suppressed anger, then "coming out" might indeed take away the passion. But if the motivation is something else, then it might have made his life easier, but would not have affected his work.
IMO :)
Your give us something to think about, Lynn G. I guess I have to wonder if elements of celebration or sheer joy would have been more obviously present. Maybe he would have searched for different inspiration and Eugene Onegin wouldn't have reached the stage.
Undoubtedly Tchaikovsky suffered because of his homosexuality, and we benefit from that in his works. We've been gifted throughout the years with the likes of Bernstein, Cole Porter, and other musicians who channeled their sexuality into masterpieces that will be appreciated throughout the ages.
By the way, did you see the Met Live in HD production of Eugene Onegin in the movie theater? It was fantastic, really excellent!
While the romance of the "suffering artist" has been with us since the Romantic Era, I am not sure that a better-adjusted Tchaikovsky would produce music of less intensity or brilliance.
Different subjects, different themes, maybe.
But sexual orientation or sexual ambiguity is not the only circumstance that created profound alienation and discouragement among thoughtful and deeply-committed people of the 19th Century in eastern Europe and Russia.
Great article.
"Pyotr Ilyich Dream"
She put her poems out there,
For all to see
And along came,
Tchaikovsky, believe you me
He spoke in her ear of ballet suites
Of his dreams incomplete
She blushed deeply red, it's said,
He'd gone to her head
The swans swam by, the nutcracker,
Cried... sleeping beauty looked like,
She had volunteered to die
Yet throughout this dream,
Pyotr's music did scream,
Of the beauty that can torment a,
Genius
She wept, as she was swept,
Up beside him
Sadly she shared his eternal joy
Oh boy! Oh boy, oh boy... she thought
It is difficult to imagine anything more depressingly elegant,
It would seem,
Than Pyotr's dream
Pyotr Ilyich Tchaikovsky 1840 – 1893
Regards,
Mike
Oh, Frick [laughing despite myself]
Yeah, Jesse - Can anyone point us to a really good/trusted online biography of Tchaikovsky?
To answer your question unfortunately I did not make it. I noticed that Il Trittico is coming up on April 28th, 2007 - anyone going to that one? We'll have to kick off another discussion for that operatic hat trick.
Glad you joined in, Peter Wimsey. You make a very excellent point about the rest of the social structure of that time. Maybe we should look more closely at the political pressure?
o 0 (maybe that should be Lord Peter Wimsey? Nice hat tip to an expert - albeit fictional - of classical music)
Mike! Man, I did NOT know. We've got a meme, eh? And you published it right here on Gather - I'm sorry I missed it the first time 'round. Gorgeous.
For Tchaikovsky bios: there's one at Wikipedia, natch, and also a good one at the Met Opera.
A few years back, Tchaikovsky was in the headlines with claims that his death was somehow suicidal, and related to his sexual orientation, and the real story had been held back. . . both of these bios do a good job of acknowledging that controversy, while also affirming that the evidence tends to support the official story (death by cholera)--less dramatic though it is.