She caught the misguided traitor--once known as her left hand--in time to save face, but too late to protect her emotions. Two decades of near-perfect denial washed away, dropping her in a life-changing spiral of churning, rallied love.
An instant replay of the morning's interactions assured her that she bore total responsibility for the break from reality. He had not crossed one forbidden line, uttered a word of encouragement, donated an emotion, or contributed anything to the imaginary wall she had placed between their seats, and those carrying the children behind them in the van. She had looked over during a lull between how's Linda and have you heard from Rob and imagined sadness or regret in his prolonged blink. She turned her world inside out; he blocked the sun from his eyes.
What if she hadn't found the willpower to paralyze the shameful extremity? Were the children old enough to understand the implications of a spontaneous touch? Would he have felt I adore you branded where she touched him? She sat on the hand until it tingled and went numb, wondering how it could have detached from the rest of her, forgotten the divorce, taken on a life of its own, and assumed liberties that belonged to someone else.
When they arrived at the park, she shook blood flow back into the wayward hand, helped release children from seat belts, and grabbed the hands of the two youngest, thinking she might persuade one of them to stay with her when the others took off for swings and slides. He selected a picnic table near the play area, told the children they would watch from there, and sent them to play. The tiny hands in hers broke away and left her, vulnerable to the liberated hand.
She reset her perfect ponytail and emptied sand from her shoe – anything to keep the hand busy while he chose his place, back against the table, facing the action. When he looked settled, she sat on the tabletop, her feet on the bench beside him. Resting her elbows on her legs, she leaned forward and clasped her hands in front of her, far from his legs, so she could keep an eye on them and the children at the same time.
In this safe position, she forgot his leg. Instead, she focused on his head. How could a man his age still have that much hair? If anything had changed, it looked like he had more hair than he had twenty years before. That wasn't possible. The hands (both of them this time) went back under her legs. Like a bruise that begs a validating poke, his hair beckoned her aching hands. One touch would satisfy, but how would she explain it? There was a fly on your head?
She walked away when her thoughts went from embarrassing— If I trip getting down from here, I'll have to grab him for support-- to insane--If I'm lucky he'll need CPR before we leave.
The kids enjoyed having her join them on the swings. She was pleased to have those chains keep her hands occupied.


Comments: 50
At any rate, I like this a lot, the sort of bouncing back and forth between the reality and her inner thoughts. I would like to see more of it.
Were you peeking by any chance?
Nancy, now I'm going to have to go back through my old articles and see which one you're talking about. Was it He Said, She Said? (Or am I repeating the same theme often?? eek)
(poetic, do you really think so??)
Karran, I was ready to thank you for that catch but looked again. To is correct this time, but it is a little confusing. If you remove the italicized thoughts, the sentence reads: She walked away when her thoughts went from embarrassing to insane. I won't vouch for my punctuation in that line, however, and that might be the problem.
Thanks, all. Regarding the rating, I don't think the people who rate my articles low are the ones who leave comments. Also, I don't expect everyone/anyone to rate my work ten unless they believe it deserves a ten. I don't think I'm perfect, or the best writer on the site. For what it's worth, I complain as much about undeserved tens as I do about undeserved ones.
Funny all the girls got it instantly. Do we have stronger body memory than guys? Once open fully, are some of us just unable to get that door shut?.
As a stand alone, this is wonderful and really does reach inside to a place I think many people have been.
Comparatively, though, I liked the other one just a smidgeon better. I have no idea why.
Still. 10 from me. Suck it up.
Fascinating look at the inner world, where the line between sensitivity and insanity can grow perilously thin, while the outer world remains uneventful. Been there, not a good place.
I read through the comments, and I like the way you've started it, talking about the misguided traitor - once known as her left hand. Personally I think it's good the way it is without the suggested change.
Also, I can't comment on whether or not this would make a good poem, as I know less than nothing about poetry, but I do know that I prefer the way its written. I find poetry difficult to follow. Something in the story gets lost for me when its broken up in lines of prose. To me (and again its personal preference) it flows much better as a story.
I didn't rate this, because I hate the present ratings system. I did like it very much, and I agree with the opinions that its one of the better things to read on Gather.
We reset "our perfect ponytails" and live miserable lives with our pride in check. We assert that we will make them pay, but we pay instead. We miss out on so much loving and living.
Sandy, excellent work!
Terry, I think I get this (The more you recede into a report of the story, the less it seems like poetry to me), if I am correct in assuming that by 'using language' you are talking about paring the language to deliver an exact thought instead of using the biggest or most flowery words to show it. If not, I need another lesson (well, many more lessons) if you are to advance my wanna-be-poet status.
I'm happy to see that Cheryl and Donna liked the chain. I was afraid it was too cliché.
To all of you, I appreciate your comments, compliments, and discussion – very much.
No one else has brought this up, so I'm a little scared to. But in these 2 paragraphs:
"When they arrived at the park, she shook blood flow back into the wayward hand, helped release children from seat belts, and grabbed the hands of the two youngest, thinking she might persuade one of them to stay with her when the others took off for swings and slides. He selected a picnic table near the play area, told the children they would watch from there, and sent them to play. The tiny hands in hers broke away and left her, vulnerable to the liberated hand.
She reset her perfect ponytail and emptied sand from her shoe – anything to keep the hand busy while he chose his place, back against the table, facing the action. When he looked settled, she sat on the tabletop, her feet on the bench beside him. Resting her elbows on her legs, she leaned forward and clasped her hands in front of her, far from his legs, so she could keep an eye on them and the children at the same time"
...there are a lot of commas. Do you think that you could use semi-colons to sort of break it up? Or am I wrong? The sentences are, what Audrey said, kind of awkward.
Too much, too little...sounds like the story of my life.
I really like the dissasociation from the "traitor hand." It's what makes the story work. Please ignore Terry's suggestion.
"The tiny hand in hers broke away and left her vulnerable to the liberated hand."
I took off the s from hands because the article stated that maybe one of the children would stay with her, so assumption has it she was holding just one hand because the other child had already turned one loose and headed for the playground.
I hope I am not being overly critical. The story is beautiful and I am sure a lot of readers are able to relate each in his own way.
Thanks, Kevin. I'll have to go back and study Terry's response when I'm thinking again, also.
June, thank you. You can never be too critical for me. The types of things you pointed out are the things I go through when I'm writing. I analyze every word, sometimes until I drive myself crazy. I appreciate knowing a reader did the same. I honestly did put that comma in and out several times when writing this. I left it in because I thought the little pause gave the vulnerability more of a punch. I'll rethink it, and have someone else read it aloud to me.
Thank you for another amazing read. You brighten my life.
And, Barbara, I would like the second chance, also. Thanks for being so sweet. It has been a really dark day here, so I'm glad I could send you some brightness.
Sorry I have not been in touch, I am a tad behind with all my scheduled tasks due to a piece of extreme silliness on my part. Was it worthwhile? You can judge for yourself before Halloween, I'll have the video online two or three days ahead of the night.
Ian
As for commas I too have a real problem with them. I tend to want to use them to indicate a pause in the progression of the story within a line and find they only create a clause error. Grrrrr.
This was a great read Thank you.
Are you ok?
Anyway, I'm glad I found this... what a taut recounting of a poignant moment! I specially like She turned her world inside out; he blocked the sun from his eyes. That is an intense portrait of the gap between the two main character... Wow.