***This article only pertains to my experiences with electronic publishers. I have no idea how the "Big Boy" publishers in New York handle things (Del Rey, Bantam, Avon, etc.), but it's probably not too much different.***
Authors are like artists. We paint our canvas with words, allowing our readers to step into our world for a short time. And also like artists, our paychecks can be somewhat disappointing. There are many "starving" authors out there. Simply because you are "published" does not mean that you will be rich, let alone famous.
I have learned that your own fame is directly related to your own promotion. If you are not willing to hit the pavement and get your name in front of people, you will not succeed as an author. It takes the average person (or so I've heard) *seven* times of hearing about something before they buy it. People are just wired that way, I guess. Always looking for a bargain or putting things off until payday and then forgetting about it.
So your fame is also directly connected to your royalties. I know a few people who complain about their checks, but they don't do a damn thing to promote themselves! There's plenty of things you can do that doesn't cost you money. Gather is one example. MySpace is another, as well as a website, a blog, and even a group on Yahoo or Google. You can also schedule electronic chats with your readers on certain review websites and sometimes, even your publisher will have a chat room online. Having a newsletter doesn't hurt either, and before you gasp at the postage, don't worry; nowadays you can do it electronically through email. :P
However most electronic publishers pay you quarterly. The first quarter of the year is Jan., Feb., March, and then you get paid by the end of April. So your pay months are the months *after* the quarter is over: April, July, October, & January. (If you're really lucky, you'll find a publisher that pays monthly.)
On top of that, most publishers that I've worked with have a ceiling that the author must reach before a check is cut. If you sell two books and your royalties are only $3-$5, you won't get a check that quarter. Most royalty ceilings are $25, however one of my publishers is $50.
In my personal opinion, $50 is too high of a ceiling. Especially for the newbie author who doesn't have a backlist of books--it will take them forever to get to $50--especially if they don't promote themselves.
Now, while this doesn't seem like a lot of money, you must understand the way royalties work. Say your book sells for $6.95, then 35% of that (the standard for most e-publishers) is about $2.43. If we round that up to say $2.50 per book, then all you need to do is sell 10 to 11 books to reach the $25 ceiling, right? Well, technically yes. However, this is only through your publisher's website.
Your royalty rate will decrease if your book is put on a vendor's site such as www.fictionwise.com or www.amazon.com. My publishers currently have a 20% royalty rate for vendors, since vendors also take a cut of each book sold. So that 20% becomes $1.39. Then, suddenly, you need to sell about 18 books. And if your book is in print, then your royalties suddenly drop to 5-7%. Why so low? Because everyone wants their cut. The publisher, the printer, the bookstore, the author....
Here's what the print royalties look like for a book that costs $6.95. If your publisher gives you 5%, then that's about $.35. If they are generous and give you 7%, then that's almost $.50 a book. Suddenly you need to sell between 50 to 72 books to reach the $25 ceiling. Ouchy.
Imagine. Do you think you could sell upwards of 100 books without even promoting?
Yes, it is possible. However, this possibility assumes that you're published at one of the Big Boys, who can get you into every bookstore known to man. There, you've got the chance to sell thousands of copies.
The blessing and the curse of the Big Boy publishers is the royalty advance. It's a blessing because you have instant gratification for your published work. You have money IN HAND. How great is that?
Now, like that gawd-awful debt you have with creditors, you must "pay back" that royalty advance with your sales. You don't earn another red cent until that advance is paid in full. Authors make most of their money with that royalty advance. Especially authors who write for publishers who only publish their books on a limited print run like Harlequin. They have their Intrigue and Desire lines up only for about 6-8 weeks before they go "out of print".
Can you make back your advance? Sure, probably. Will you get much more than that? It might trickle in after your print run, but your book will not always be a cash cow. So how do writers get "rich"? They continue to write books.
Older books that have already been around the block still sell because of new readers. If a new reader reads your latest release and like it, they'll go searching for your backlist. They want to know what else you have written.
In this way, an author's career is built on an entire library of books. So those of you thinking to make it big with your One Big Novel, be prepared for disappointment. Unless you're chosen for Oprah's Bookclub, you've got to be willing to write a book, then write and another and another. And another.
And don't take for granted that the publisher will push and promote your book for you. That is a myth that too many newbie authors believe. Publishers do things to a point; sending books out for review and whatnot. But it's the author who actually connects to the readers.
So if you want to be an author, be prepared. The "fame" and the "money" don't really come until you have books behind you and more in front of you.
Know the truth about getting paid your royalties and don't be afraid to toot your own horn for promotion. If you never toot it, then you'll never sell a thing.
~~Becka


Comments: 18
I am wondering then how much the poor author gets for a book on the clearance table at Barnes or Borders or the very marked down books on Amazon?
I know that when my publisher puts my books on sale, I still get my same royalty rate. The sale cut comes out of my publisher's slice.
Now, authors see no royalties at all from books sold second hand at used bookstores. Those prices are pure profit for the store.
~~Becka
My former boss in the Children's dept of a public library used to wait until some books received *two* good reviews before she would purchase them, because when/if a parent challenged the book, this lady wanted support for her decision to purchase it. I also know the local authors could count on the local libraries purchasing their works.
I am curious about one thing: libraries usually receive a discounted price on book purchases. Rebecca, do you know if that means a lower royalty for the author?
The royalty rate for libraries is the same across the board for an author. The royalty rate is written into their contract, period. The discount that libraries and bookstores demand in order to stock the books is already accounted for by the publisher. :)
~~Becka
I didn't want to make it sound like there was a "library" clause in the contracts, because there's not. :P
~~Becka
My two big publishers do print-on-demand. Champagne Books and Samhain Publishing. My third publisher, By Grace Publishing, also does POD, but it's different, and I'll tell you why.
You have to be careful where you get your POD from. Sure, you can get POD from Lulu.com, which is where By Grace does their print books. However, these books are not available in bookstores.
Now, my POD books through Champagne Books and Samhain *are* in bookstores. So what's the diff?
The difference is, bookstores want their bases covered. They want to be able to have a discount from the publisher so that their bottom line is lower (less risk, and also for profit). Also, they demand that all paperback books can be returned to the publisher if they do not sell. Again, this is to ensure that they aren't stuck with books they cannot move.
POD books from places such as Lulu.com or CafePress do not offer the services above. You cannot return the POD books to the printer, and therefore, that is the death knell of an author who wants to be in bookstores.
Champagne and Samhain go through a publisher called Lightning Source, and they are listed on the big book distrubutors; Intrams, Baker & Taylor, and Bertrams. This means ANY bookstore can order these books (at their demanded discounted price) AND these books can be returned to the printer. But Lightning Source prints them as they are ordered. Samhain is a little bigger than Champagne, and therefore, they can afford to do small print runs of each book they put out. These small print runs are about 2500 books, and these books are distributed throughout the country at Border's and Waldenbooks.
So if you're going to go the POD route, be careful. You've got to ask yourself if it's more important to have your book in print or have your book in a bookstore. POD publishers are not a bad thing, you just have to be careful how they do their print program if you ever want to see your book on the shelf at Barnes & Noble.
~~Becka
That's supposed to be INGRAMS, not Intrams. Darn these morning fingers. LOL
~~Becka
Rhonda Penders
I have no complaints about Lulu's quality at all, either. Their quality is actually really good as far as their covers and pages go.
And that's so great to know you're on Amazon! I was ecstatic when I finally got listed there myself. :D
Thank you for stopping by!
~~Becka