Here in alphabetical order are my favorite songwriters (or songwriting teams) and why. I'm hoping the rest of you will chime in to challenge or offer votes for your faves.
This is in alphabetical order because I really, really don't want to rank them.
Burton Cummings was the lead singer for the Canadian band The Guess Who.  He wrote the majority of their songs, though sometimes collaborated with guitarist Randy Bachman. I'll illustrate my appreciation by way of examples: "Laughing", "No Time", "Share the Land".
Donald Fagan and Walter Becker were Steely Dan. Other members were more or less hired for short stints by these two and almost every song was cowritten by them. You may remember "Reelin' in the Years" or "Do it Again." Their songs reflected the hard edges of New York, like "Throw Back the Little Ones."
John Fogerty. I've heard it said if you want to be a successful songwriter, write things people can relate to. Creedence Clearwater Revival had that in spades. Criticized for being "easy" music, it was adopted by almost every garage band in the late 60s. It's what peope in the neighborhood wanted to hear. Like the songs or not, everyone knew them. "Proud Mary" was coverd by both Ike and Tina Turner and Lawrence Welk. That's a broad footprint. "Put a Candle in the Window". "Have You Ever Seen the Rain." "Who'll Stop the Rain." "Walk on the Water."
Fleetwood Mac had a lot of great songs up to and including the first two albums with Buckingham Nicks. I could go on and on about that mind-boggling bass-drums combination, but for writing, I like Christine McVie's love songs. "Come a Little Bit Closer". "Over My Head." "Just Crazy Love." And the wondrous "Spare Me a Little".Â
I have only one Harry Nilsson album, but it has "Driving Along", "Jump Into the Fire" and "The Moonbeam Song."Â Inspired.
I wanna go put on some Zeppelin right now because Jimmy Page and Robert Plant sure wrote some fresh songs.  With a solid footing in acid blues, I really liked it when they gave us their take on other genres: reggae, "Dyer Maker"; disco, "The Crunge"; gospel, "In My Time of Dying". "Hot Dog" showed they had zero feel for country, and for that they can be forgiven. If you listen to but two Zeppelin tunes, I recommend "Over the Hills and Far Away", and - I defy you to categorize - "Dancing Days". This is all to say nothing of their blues, but I'm not sure how much of that was original.
In a previous post I and others have gave our reasons for loving Shel Silverstein's songs. My favorite is "The Wonderful Soup Stone".
Sting hasn't done much for me since leaving the Police. I can't think of a single tune outside of those early classics. "Roxanne". "So Lonely." "Man in a Suitcase." "Hole in My Life."
Hank Williams wrote from a depth of dispair and chemical dependency that's right up there with Janis Joplin. Yes, in a lot of instances he added a 4th chord to the usual country 3-chord pattern, but it was the melodies, and that haunting grief that came from the juke box that hooked those millions of lonely, beer drinking fans. Write music people can relate to . . .
Neil Young provided me with one of my most cherished memories. When public TV first came to town, Austin City Limits caught my Dad's attention. Hal Hall, born 1911, had some pretty conservative tastes when it came to music, H. Carmichael and polka for the most part. One day I came up the stairs, and he said, "Hey, this guy is pretty good." I looked to where he was pointing and there was Neil in all his stringy, longhaired splendor. I was impressed.
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"Okay, well how about" I can hear you say. There were another 10 that didn't make the list but easily could have. Here they are:
Joan Armatrading writes super songs, but her soulful delivery and prowess with a guitar make them sound fantastic. If someone else - say Lawrence Welk or Ike Turner - tried them out, I don't thing the songs would hold up near as well.
David Bromberg is the same situation. With fantastic licks and a voice that sounds like it's always on a rant you completely agree with, you're tempted to say he writes great songs. But he doesn't quite make the list for songwriting alone.
I have a lot of Dylan records, but my favorite - Self Portrait - is one that's almost all covers of other people's work. Desire was a great album, but I just don't listen to him with the same glee I do my real favorites.
Danny Elfman is a great arranger and performer. As much as I'd like to have included the author of "Nasty Habits" in my 10, it's great fun, but not great art.
Mick Jagger and Keith Richards co-wrote mind blowingly beautiful songs, but in my little world they're a little too popular. I'm not going to say they're music won't stand up though the centuries. It will.
Jehn Lennon and Paul McCarntey co-wrote mind blowingly beautiful songs, but in my little world they're a little too popular. I'm not going to say they're music won't stand up though the centuries. It will.
Annie Lennox and David Stewart, as the Eurythmics, put together one of the most captivating albums of all time, entitled "Be Yourself Tonight." But much of the appeal is production and technical musical prowess. I've bought other records by them and without exception have been disappointed.
Freddie Mercury has the same pitfall for me as Danny Elfman. I love the music, but it's the showmanship (and the in your face gay celebration), more than the writing. Don't get me wrong. I love the music.
Van Dyke Parks is a genius. Brilliant arrangements, and such attention to detail. But like that other genious Frank Zappa, I have to try hard to hum even one of the tunes.
Paul Simon was as good as any Beatle. Like Steely Dan, he seems to have looked around at the competition in New York and said, "Okay, my work has to stick out. Here." After the Simon and Garfunkel years he seems to have shown a certain talent for chanelling other people's grooves, and I can't help but feel there were more of his early songs that, like "American Tune", were borrowed. Again, I love his music, but I have to wonder where it came from.
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So. Still awake? What do you think? I know I've left out a lot of greats. It's a big wonderful world.




Comments: 55
You can't go wrong with Lennon-McCarthy. Or Simon.
I adore Joni Mitchell in all her moods and variations. I also think Laura Nyro was a genius, and continue to play "New York Tenderberry" at least once a week. Todd Rundgren has also influenced many generations of artists, and I admire his experimental pop sound.
1. Jay Farrar and Jeff Tweedy (together as Uncle Tupelo and apart as Son Volt and Wilco)
2. Mark Eitzel - American Music Club
3. Gary Louris - The Jayhawks
4. Paul Westerberg - solo and not drunk and drunk in the Replacements
5. All of Buffalo Tom
6. Bob Mould - w/Husker Du and pre- his last solo album
7. Elvis Costello
8. Of Course Lennon/McCartney
9. Definately Hank Williams
10. Johnny Cash
Honorable Mentions: Kay Hanley, Pete Townsend, Mike Watt
Neil Young is my all-time favorite classic rocker and he would be on my top ten as well.
Great list over all. I'd include a lot of your favorites on my list as well. I'd also add Bernie Taupin and Elton John if I were putting a list together. Bernie Taupin is probably my all-time favorite lyricist.
Tina, your picks came from a time I checked out of pop culture. Frankly, it would have been better than what I went through. Gary Louris is very good. What a voice!
Pam, "Ten thousand zero zero party over oops outa time so I'm gonna party like it's ninteen ninety nine." That was prophetic. This century blows.
Terry,
"7. Richard Thompson
8. Bruce Cockburn
9. Elvis Costello
10. Brian Wilson"
All these were candidates for my list, but didn't come to mind. Thank you.
Aileen, I'm glad to see another Burton Cummings fan. Another who reminds me of his is Glenn Shorrock(sp?) of Little River Band.
Or Holland-Dozier-Holland
For older stuff, I like Bob Dylan's old stuff. Seeing him in concert these days doesn't quite cut it. Too much amplification of the guitar, and probably a way of covering up the old man's voice. I like Harry Chapin's Cat's in the Cradle. "My son called me up just the other day, I asked if he could come see me awhile, he shook his head as he said with a smile, I'd love to dad, but the new job's a hassle, and the kids have the flu, but it's been sure nice talking to you, dad.
That's when it occurred to me, my son was just like me."
1.Fleetwood mac is still cool Stevie Nicks has always been great
2.Chris Dauthry although he lost American Idol I liked him
3Metellica
4Prince or whatever his name is these days
5Brian Wilson from the beach boys is good
6Van halen with David Lee Roth
7.Rascal Flatts has some good songs
8.Forigner
9ABBA was great I can here Dancing Queen going threw my mind.
1i Don Hennly the eagals
Marty, for country I have definite favorites in Radney Foster and Bill Lloyd. Their debut album Foster & Lloyd was out of this world, but I guess the mainstream bosses had other ideas . .
Shaunee, I can agree on Brian Wilson for sure. I think Don Henley is a great singer and the early Eagles tunes were fantastic. I looked though their albums and had he written the majority he would have been on my list. However, his song "Get Over It" was pathetic, and I pretty much lost all respect for him.
Like Tom Waits too...also John Hiatt.
Motown song . . . hmmm.
I love Bob Marley. My son in Iraq has every song that Marley ever did on his Ipod. He says it keeps him sane.
I have to add that one of my all time favorite song writers is Steven Sondheim. I have a thing for Broadway, and I love his lyrics. Intelligent, beautiful with a deeply sad underpinning.
Becky, I'm not that familiar with Sondheim, but I know he's prolific. That's always nice for a favorite writer. You always have something new to listen to, and songs you haven't heard for quite a while. From the lyrics I've heard, I'd have to agree they are well crafted.
numero uno: Paul macartney and John Lenon!!!(may he rest in peace)
Abbey road, yellow submarine, all you need is love, elenor rigby, hey jude, yesterday, help, let it be!!!
then
2) carol king-too late, natural woman, tapestry, and more
3) Randy Newman
4) Leonard Cohen!!!the chelsea hotel!
5) Paul simon and Art Gurfunkel!!
6) Bob Dylan- how many roads, rolling stone, don't think twice , that's alright
7)Rogers and Hammerstein!!the sound of music, south pacific etc. etc.
8) joni Mitchel!! Blue album!
9) sir loyd weber (joseph and the amazing colored coat , evita , cats etc. )
10) o.k. Bob Marley, woman don't cry!!
anything i can play on easy piano basically
o.k. i love elton john's yellow brick road too!
and of course the Captain and Tennile
Michael, Robert Hunter is multitalented. One year he gave the keynote talk at a convention of fundraising researchers I attended. A lot of Grateful Dead tunes are both fresh and accessible. Didn't Irving Berlin write "God Bless America?" What a great song. I wish it and "This Land Is Your Land" (with all the verses) were co-anthems for our country, and not that warmed over beer drinking song we currently use.
Bruce!, Tennile was hot. I can't figure out where or why she picked up that sailor though.
"City of New Orleans" is a great song. I hear it every day on the music system at work, and I will never get tired of it. Steve Goodman is also a great writer.
As for Sondheim, He is interesting. I've recently been re-listening to Sweeney Todd, and am just blown away by the complexity of his lyrics. The character of Mrs. Lovett is a good case in point.
In the original play Angela Landsbury played the character as a sweet and slightly dimwitted business woman who happens to find a way to help Mr. Todd dispose of his victims AND make a little money for herself.
Patti Lupone, in the current revival, plays Mrs. Lovett as a very creepy and completely equal accomplice in the crimes.
The songs, Nothings Gonna Harm You and A Little Priest can be read vaguely, but the underlying message is not what you expect. Love them. Sorry to go on and on...I just have been completely in love with this play lately. It is dark and scary and kind of sick, but it is very entertaining. Not easy to accomplish when the two lead characters are a murderer and his accomplice who bakes the victims into pies.
(Sweeney Todd was a real person and this is based on a real crime spree in London.)
Many of the others are new to me. Again, thanks for your input.
Tonight I was at a wedding, and some of the attendees got up and formed a chorus to sing a Stevie Wonder song. And I forgot to add Stevie Wonder. He belongs on the list, but because I don't listen a lot to him, he's not a favorite. It was a wonderful song.
John Fogerty Review
My personal favorite is Paul McCartney - and he's still got it. That song of his that was in "The Lake House" - I think it's called "This Never Happened Before" - so beautiful.
Also, David Bowie, though I think he can be a bit uneven at times.
Bob Dylan
John Lennon
Paul McCartney
Simon and Garfinkel
Andrew Lloyd Webber and Rice
Brian Wilson
Sting
Rodgers and Hammerstein
Gilbert and Sullivan
Brian Eno
Paul Westerberg
Elvis Costello
Woody Guthrie
John Linnell (They Might Be Giants)
Pete Townshend
George Harrison
Brian Wilson
Richard Thompson
Also, props to you Ron, for mentioning "Nasty Habits" by Danny Elfman (Oingo Boingo). It's one of my favorite songs by him. It so cries out to be put up on stage as a Broadway musical number. Every time I hear it, I can totally see the choreography, stage set, and characters.
Sandy, I'm going to have to check out that Fogerty article.
Kathryn, Richard Thompson did a Gilbert & Sullivan tune at one of his shows. A whole new world opened up to me. I think maybe Leonard Cohen wrote "Bird on a Wire". If so, that song alone gets him in some sort of pantheon.
They Might be Giants is a whole world to be explored, and I haven't even scratched the surface. Everything I've heard has been wonderful.
2.Eric Clapton
3.John Fogerty
4.Lindsay Buckingham
5.Prince
6.John Denver
7.Joe Jackson
8.Billy Joel
9.Harry Chapin
10.Jim Croce
My list!
2. John Prine
3. John Flynn
4. Joe Jencks
5. Zoe Mulford
6. Amy Carol Webb
7. Janis Ian
8. Arlo Guthrie
9. Johnsmith
10. J. D. Souther
Not necessarily in that order.
Jackson wrote the lyrics he contributed to that very old song (Rev. Gary Davis, I believe gets ownership) in the company of Glenn Frey & Don Henley when none of them was in his right mind.
It is the magic of his better works that will keep Jackson at the top of my 'favorites' list. A friend of mine said, in reference to "Cocaine" and "Somebody's Baby": "Everyone's gotta pay the rent sometime."
Janis Ian hit the airwaves with "Society's Child" when she was a 15yo, and in the 1970s gave us "At Seventeen" and "Jesse."
John Prine is so amazing! The song you referred to in your comment is "The Other Side of Town" on his Fair & Square CD. He and Steve Goodman were collaborators on many songs, but it was thanks to Kris Kristofferson that we heard either of those two talents.
Please, Ron -- look on-line for the names you don't recognize. These are all folks who provide samples of their music on their websites. I can give more info if you want it. John Flynn was on the "City of New Orleans" tour with Arlo last year.
To name a few:
Love Train by the O'Jays,
If You Don't Know Me By Now, by Harold Melvin and the Blue Notes
(also, The Love I Lost),
You'll Never Find Another Love Like Mine, by Lou Rawls,
When Will I See You Again, by the Three Degrees,
Me and Mrs. Jones, by Billy Paul,
Back Stabbers, by the O'Jays,
Don't Leave Me This Way, by Thelma Houston
And what about producers? Because they have just as much to do with the sound as the songwriters! Spector, B. Wilson, Epsteiin, Mottola, Lange... They're all partners in the sounds we love and worship.