Dear Literary Mary Book Club,
Our first assignment, with discussion commencing today, December 1st, 2005 is:
Brokeback Mountain
Annie Proulx
Scribner (November 1, 2005), 64 pages
ISBN: 0743271327
Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it.
(Soon to come out as a major motion picture.)
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Literary Mary writes:
While the concept for this short story (it is, honestly, more a short story than the "novella" that Scribner claims) suggests cheesy pornography, Proulx tackles it with the emotional honesty and harsh light of reality that to me are her trademarks. What ends up being more titillating than the sex in the book (though it has its surprising moments), are the questions this brief little tome raises about sexuality.
It seems on the surface, to be more specific, like a story about two gay cowboys (or, to be exact, sheepboys). But I got to thinking: what in the world are the chances that these two young guys, the two randomly stuck together for a lonely job up on a mountainside, both happen to be gay? It is of course possible, no question. But the reading becomes a lot more interesting to me when I consider that perhaps sexuality can be more flexible than most people tend to believe, and that perhaps what happened to these guys was in part circumstantial. It seems to me that Jack is a true gay man. But Ennis seems to be caught up in the moment, pulled toward Jack but ultimately content to live his life with his wife and let Jack go. Throughout the story Jack is pursuing Ennis, making most of the effort, always more eager to continue their affair. "I wish I knew how to quit you," Jack says to Ennis. Ennis seems almost ambivalent, though he does get involved enough to let the affair ruin his marriage. Perhaps Jack is a gay man and Ennis is a man whose mind is captured by a long-ago moment of passion, like a sleeve caught on a nail. If this is the case, the scenario raises questions about sexuality: for example, can sexuality be context-specific? Can our experiences influence our sexual orientation? Can sexual orientation change over time? Can the passion of one person influence the sexual propensities of another? Can sexuality be focused more on specific people in one's life than on gender as a whole?
I found that the story was captivating from start to finish, but had a hard time imagining how they are going to turn something so short and ultimately sketchy (as short stories by nature are) into a feature-length movie. Also, the guys Proulx describes in this book are not nearly as good-looking as the likes of the actors portraying them, but isn't that always the way. I am certainly going to see the movie, as it comes from Academy-award winning filmmaker Ang Lee, and it will be fascinating to see how the movie treats the sensitive and confusing topics the story addresses.
Comments anyone?
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Comments: 18
Which scene in the story do you think is most powerful?
I personally think it is the one where Alma sees Ennis and Jack kiss on the stairs in front of Ennis's house. There is a lot of raw passion in this scene, but also some very clevely done dialogue that hints with a single word at major issues and expresses enormous emotional weight.
Thoughts?
I want to think more about Mary's question: can sexuality be context-specific? Right now I'm leaning towards thinking that Annie Proulx has presented us with a story in which it is. But I also sense there's something deeper here, about masculinity itself.
I completely agree with Mary's assessment here though, and I wish more gay men would actually read the story before getting too excited about the movie. This story is NOT about two gay men who find love. One might have been gay given a different time and place, but the other most certainly would not be gay. It is about two lonely men who find a connection and why that particular kind of love cannot really withstand society with its labels and its roles. It's about the true nature of sexuality and human connection without some kind of political agenda that so many people are making it the movie out to be.
A story I have loved for years: On one side, I am excited that it is getting so much attention now, but on the other hand I kind of wish it were not such a big deal. I think the message and the story will ultimately get overwhelmed by star names and the inevitable disappointment of those who are going to see the film in the hopes of titillation.
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I think the idea of a context-specific specific sexuality is an interesting one and very much at the center of the story. Both Jack and Ennis have relationships with women, and other than Jack, Ennis isn't attracted to any other men, and says as much. Like others have mentioned, Jack's sexuality is rather less in question.
Despite his mostly heterosexual tendencies, Ennis allows his relationship with Jack to destroy his marriage and family life. There's no doubt there was something extremely powerful in their relationship. Then isn't there something deep within Ennis' psyche that brought him into such a difficult inner struggle? Having an idea of how deeply rooted sexuality is in humans, I am having trouble accepting Ennis' struggle as a mere fluke of chance, as strictly context-specific. Not that I necessarily would, but one could argue that the context was their summer on Brokeback Mountain and that a 20 year affair is something significantly greater. And is there really a difference between Ennis' context-specific sexuality and bisexuality? Look foward to hearing thoughts on this.
On Brokeback, I was surprised how quickly Proulx manages to create characters that grabbed me. They were real after just a page or two. I cared about what happened to them from that moment.
The struggle I found most intense in the story wasn't what was the personal struggle with sexual orientation described above. It was the struggle between individual passion and social definitions or constructs.
The tire iron was the villain in this story. It was the villain most directly because it killed (at least once). But in a far more powerful way, it is the villain because it represents the social forces that prevented Ennis and Jack from living the lives they felt. It kept them from following a passion so powerful that it disrupted marriages, caused thousand-mile journeys, and left each obsessed for the other for the balance of their lives.
Proulx very effectively captures the experience of living in the closet. She captured what it means to have social pressures so intense, you deny your personal path. But it isn't just a gay story. It's the story of women who were denied careers thirty years ago because they weren't supposed to be professionals. It's the story of straight couples that, despite personal connections, don't marry because of religious or ethnic differences. It is, quite simply, the tragic tale of individuals who give up their dreams because very powerful social trends oppose them.
That's what Brokeback was about, for me.
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Tom Gerace is Gather's CEO